Dracula
- 1931
- Tous publics
- 1h 15min
Le vampire ancien et comte Dracula arrive en Angleterre et commence à s'en prendre à la jeune et vertueuse Mina.Le vampire ancien et comte Dracula arrive en Angleterre et commence à s'en prendre à la jeune et vertueuse Mina.Le vampire ancien et comte Dracula arrive en Angleterre et commence à s'en prendre à la jeune et vertueuse Mina.
- Récompenses
- 5 victoires et 3 nominations au total
Charles K. Gerrard
- Martin
- (as Charles Gerrard)
Anna Bakacs
- Innkeeper's Daughter
- (non crédité)
Bunny Beatty
- Flower Girl
- (non crédité)
Nicholas Bela
- Coach Passenger
- (non crédité)
Daisy Belmore
- Coach Passenger
- (non crédité)
William A. Boardway
- Concertgoer Outside Theatre
- (non crédité)
Barbara Bozoky
- Innkeeper's Wife
- (non crédité)
Tod Browning
- Harbormaster
- (voix)
- (non crédité)
Moon Carroll
- Maid
- (non crédité)
Geraldine Dvorak
- Dracula's Wife
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesGenerally regarded as the film that kickstarted the horror genre in Hollywood.
- GaffesIn the scene where Van Helsing is attempting to catch Dracula's lack of reflection in a mirror, there are visible chalk marks on the floor showing Bela Lugosi where to stand for the shot.
- Citations
Count Dracula: This is very old wine. I hope you will like it.
Renfield: Aren't you drinking?
Count Dracula: I never drink... wine.
- Crédits fousThe original title card has producer Carl Laemmle, Jr. identified as Presient (sic).
- Versions alternativesA version of the film played on the 10/24/15 airing of Svengoolie (1995) featured a soundtrack taken from the French language audio track on the Dracula Blu-ray.
- ConnexionsAlternate-language version of Drácula (1931)
- Bandes originalesSwan Lake, Op.20
(1877) (uncredited)
Music by Pyotr Ilyich Tchaikovsky
Excerpt Played during the opening credits
Commentaire à la une
Bela Lugosi forever captures the role of a certain undead Transylvanian count who takes a trip to London in the first legitimate version of the classic Bram Stoker novel. Despite many attempts by many talented film makers, I believe this version, directed by Tod Browning, remains the definitive take on the often-filmed novel. But why? Is it simply nostalgia? Granted, I do fondly remember staying up late as a child watching this film on Ghost Host theater and finding myself suitably frightened. However, if I were the same age today, would I find the film as effective? Would a steady diet of more modern and explicit horror films made me too jaded to enjoy the more subtle charms of this film? I hope not, but I could see how it might. The film is slow, and its slowness is further emphasized by the absence of an under score. It is stagey - being as it was more influenced by the stage play than the novel itself. Also, the story plays itself out too quickly. Van Helsing manages to figure everything out and dispatch the count in about two seconds. There simply isn't much suspense - and even less gore or violence. Yet it remains the champ. Why? The main reason is Lugosi himself. He gives the performance of a lifetime. He truly inhabits the role and is genuinely creepy. The rest of the cast, particularly Edward Van Sloan as Van Helsing and Dwight Frye as Renfield, support him admirably. However, when I watch the old Universal horror films nowadays, I find myself really enjoying the atmospheric sets and lighting. Yes, there is still much to love about Dracula today. (As long as you avoid the optional Philip Glass score on the DVD!)
- hausrathman
- 10 mars 2004
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Détails
Box-office
- Budget
- 355 000 $US (estimé)
- Montant brut mondial
- 87 019 $US
- Durée1 heure 15 minutes
- Rapport de forme
- 1.20 : 1(original release)
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