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Ajouter une intrigue dans votre langueTwenty-four hours elapse on the stoop of a Hell's Kitchen tenement as a microcosm of the American melting pot interconnects during a summer heatwave.Twenty-four hours elapse on the stoop of a Hell's Kitchen tenement as a microcosm of the American melting pot interconnects during a summer heatwave.Twenty-four hours elapse on the stoop of a Hell's Kitchen tenement as a microcosm of the American melting pot interconnects during a summer heatwave.
Greta Granstedt
- Mae Jones
- (as Greta Grandstedt)
Allen Fox
- Dick McGann
- (as Allan Fox)
John Qualen
- Karl Olsen
- (as John M. Qualen)
Histoire
Le saviez-vous
- AnecdotesThe surviving print, preserved by the Library of Congress, and occasionally shown on TCM, is the post-Production Code re-release (bearing the re-release Seal of Approval), but since it runs exactly 1:28:40, apparently little alteration was made from the original, whose 1931 New York City opening was clocked at 80 minutes. However, on a couple of occasions, lines of dialogue have been obviously edited out that evidently failed to pass post-code regulations.
- GaffesWhen the milkman arrives in the morning, a moving shadow of the boom microphone is visible to the right of the stoop and is seen again a moment later when Sam comes out of the building.
- Citations
Emma Jones: Aw, men are all alike. They're all easy enough to get along with so long as everything goes the way they want it to, but once it don't, good night.
- ConnexionsReferenced in La douce illusion (1940)
- Bandes originalesThe Sidewalks of New York
(1894) (uncredited)
Music by Charles Lawlor
Played as background music twice when children are playing
Commentaire à la une
Imagine Alfred Hitchcock's Rear Window, but instead of spying on the people in a building from across a Greenwich Village courtyard and speculating on what their lives are as Jimmy Stewart does, instead you're up close and personal like you have a dwelling right on the sidewalk and see and hear it all. Instead of a colorful Village apartment it's a Lower East Side tenement which today would be filled with Yuppies. But back in the Twenties when it was written you have Elmer Rice's Pulitzer Prize winning Street Scene.
Street Scene ran a very nice 601 performances on Broadway and two members of the original cast came over for the film. John Qualen and Beulah Bondi playing Mr.&Mrs. Olsen. They reminded me so much of the Kravitzes from Bewitched, Mr. Kravitz who just wanted to relax and read his paper and Mrs. Kravitz forever in everyone else's business mostly the Stevenses. Bondi was a much nastier character, still kind of funny that her own life is so empty that all she takes pleasure in is dishing the dirt about others.
The main action centers around Sylvia Sydney who with this film and Dead End established herself as Hollywood's favorite slum daughter. She's the pretty girl in the building who gets everyone's hormones in overdrive. Her lummox of a father David Landau feels trapped by middle age and a life of no special significance. So does her mother Estelle Taylor. Thanks to Bondi everyone knows about her carrying on with the milkman, except her children and husband. When Landau finds out there's tragedy coming up like an oil gusher.
The only other significant character is William Collier, Jr. a quiet and studious kid who just wants out of the slum. He's Jewish and Sylvia is Irish. Despite that Collier is the only one that Sylvia really responds to, even though others push him around and make fun of him.
Street Scene is not your melting pot slum of the East Side Kids who are from many backgrounds. Elmer Rice has a most politically incorrect work where everyone even casually refers to each other with all the ethnic slurs going. It's probably why Street Scene is not revived that often.
Yet I'm glad the film isn't lost, it should be preserved and seen as a guide to American attitudes back when it was made.
Street Scene ran a very nice 601 performances on Broadway and two members of the original cast came over for the film. John Qualen and Beulah Bondi playing Mr.&Mrs. Olsen. They reminded me so much of the Kravitzes from Bewitched, Mr. Kravitz who just wanted to relax and read his paper and Mrs. Kravitz forever in everyone else's business mostly the Stevenses. Bondi was a much nastier character, still kind of funny that her own life is so empty that all she takes pleasure in is dishing the dirt about others.
The main action centers around Sylvia Sydney who with this film and Dead End established herself as Hollywood's favorite slum daughter. She's the pretty girl in the building who gets everyone's hormones in overdrive. Her lummox of a father David Landau feels trapped by middle age and a life of no special significance. So does her mother Estelle Taylor. Thanks to Bondi everyone knows about her carrying on with the milkman, except her children and husband. When Landau finds out there's tragedy coming up like an oil gusher.
The only other significant character is William Collier, Jr. a quiet and studious kid who just wants out of the slum. He's Jewish and Sylvia is Irish. Despite that Collier is the only one that Sylvia really responds to, even though others push him around and make fun of him.
Street Scene is not your melting pot slum of the East Side Kids who are from many backgrounds. Elmer Rice has a most politically incorrect work where everyone even casually refers to each other with all the ethnic slurs going. It's probably why Street Scene is not revived that often.
Yet I'm glad the film isn't lost, it should be preserved and seen as a guide to American attitudes back when it was made.
- bkoganbing
- 21 juin 2012
- Permalien
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- How long is Street Scene?Alimenté par Alexa
Détails
Box-office
- Budget
- 584 000 $US (estimé)
- Durée1 heure 20 minutes
- Couleur
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By what name was Scène de la rue (1931) officially released in India in English?
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