Ajouter une intrigue dans votre langueIn New York's Bowery during the Gay Nineties, a saloon owner and a rebel share a rivalry.In New York's Bowery during the Gay Nineties, a saloon owner and a rebel share a rivalry.In New York's Bowery during the Gay Nineties, a saloon owner and a rebel share a rivalry.
- Récompenses
- 3 victoires au total
Bull Anderson
- Pug
- (non crédité)
Irving Bacon
- Hick
- (non crédité)
Lucille Ball
- Blonde
- (non crédité)
John Bleifer
- Mumbo the Mute
- (non crédité)
Phil Bloom
- Pug
- (non crédité)
James Burke
- Recruiting Sergeant
- (non crédité)
Marguerite Caverley
- Undetermined Secondary Role
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesGeorge Raft and Wallace Beery were at odds during filming. According to Raft, before the fistfight scene, Beery asked Raft to let him throw the first punch and then proceeded to sucker-punch Raft, knocking him out for several minutes. "When I came to I got up and called him everything I could think of," Raft said. They then fought for real, and the crew had to break it up.
- GaffesThe name of George Raft's character, "Steve Brodie," is misspelled "Brody" in the opening credits.
- Citations
Steve Brodie: Don't ever say I never give ya nothin'.
- Versions alternativesThe version shown on Fox Movie Channel runs seven seconds over 87 minutes. Apparently it is a reissue copy, the missing five minutes due to reediting to fit post code rules. Though it was made for Twentieth Century Films, a new start up film studio organized by Joe Schenck, Bill Goetz (L.B. Mayer's son-in-law) and ex-Warner Bros. production chief Darryl Zanuck, the FMC version is presented under the post merger logo of Twentieth Century Fox complete with fanfare and an end title crediting distribution to TCF. This year a full uncut version was shown at New York's Film Forum which clocked several minutes over ninety minutes.
- ConnexionsEdited into Brooklyn Bridge (1981)
- Bandes originalesThe Bowery
(uncredited)
Music by Percy Gaunt
Lyrics by Charles Hale Hoyt
Sung by a chorus at the beginning
Played often in the score
Commentaire à la une
"The Bowery", along with "Me and My Gal"(1932), is probably director Raoul Walsh's best film at Fox. This is a one Walsh picture that will appeal to all kinds of audiences and perhaps turn you into a devoted Walsh enthusiast. I've always been a big Walsh fanatic and "Bowery" is one of few of his pictures that has eluded for quite some time. I finally saw it and was blown away by it.
"Bowery" is also Walsh's best film of 1933, easily eclipsing the ponderous "Going Hollywood". Inspired by Mae West's hugely successful comedy-riot "She Done Him Wrong", Walsh rightfully turned this pre-Code frolic into his own. All the Walsh touches are here in full bloom: the rousing ebullience & energy, the portrait of everyday life, the sheer innocence of its characters, the nostalgic evocation of the Gay 90s (Walsh's own impressionable years), and the unsophisticated resort to ribald humor, brawls, and jocularity. It also features John L. Sullavan, Errol Flynn's famous opponent in Walsh's 1942 boxing classic "Gentleman Jim".
George Raft and Wallace Beery are excellent as the two rivals in New York's Bowery of the 1890s. They are fighting for the love of Fay Wray (always a welcome sight). Jackie Cooper, playing the streetwise rascal, reunites with Beery after their successful teaming in Vidor's "The Champ" and it is great to watch them again.
Ultimately, though, it is Walsh's sheer exuberance that counts the most. "Bowery" is one of my all-time favorite films, the kind of picture that you would like to watch again and again. A must if you get a chance to see it.
"Bowery" is also Walsh's best film of 1933, easily eclipsing the ponderous "Going Hollywood". Inspired by Mae West's hugely successful comedy-riot "She Done Him Wrong", Walsh rightfully turned this pre-Code frolic into his own. All the Walsh touches are here in full bloom: the rousing ebullience & energy, the portrait of everyday life, the sheer innocence of its characters, the nostalgic evocation of the Gay 90s (Walsh's own impressionable years), and the unsophisticated resort to ribald humor, brawls, and jocularity. It also features John L. Sullavan, Errol Flynn's famous opponent in Walsh's 1942 boxing classic "Gentleman Jim".
George Raft and Wallace Beery are excellent as the two rivals in New York's Bowery of the 1890s. They are fighting for the love of Fay Wray (always a welcome sight). Jackie Cooper, playing the streetwise rascal, reunites with Beery after their successful teaming in Vidor's "The Champ" and it is great to watch them again.
Ultimately, though, it is Walsh's sheer exuberance that counts the most. "Bowery" is one of my all-time favorite films, the kind of picture that you would like to watch again and again. A must if you get a chance to see it.
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- How long is The Bowery?Alimenté par Alexa
Détails
Box-office
- Budget
- 421 496 $US (estimé)
- Durée1 heure 32 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Les faubourgs de New York (1933) officially released in India in English?
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