Hugh Williams plays a reporter dropped into Norway to find a U-boat dock that is sending out convoys to destroy British ships. His job is to find it and report back so that our navy can destroy it. He meets and falls in love with beautiful twenty one year old Deborah Kerr, a Norwegian.
Various other well known faces from that era of British film making crop up including Finlay Currie as Kerr's father, Francis L. Sullivan as a brutal Nazi officer, Griffith Jones as a German police chief, the great Ralph Richardson as another reporter, Roland Culver as a British navy bigwig, even Bernard Miles in a small role towards the end.
Much of the film is shot in the dark, which can be a bit boring as I couldn't see a lot of what was going on, but maybe that was to cover up some of the cheap sets used. I don't think much money was spent on this production so probably best to think of it as a play rather than a film.
Our hero, Hugh Williams is stiff as a board but fortunately he's completely out acted by our leading lady and it is not hard to see why Kerr became one of the great star actresses of the cinema.
One gripe is that I would have given a higher rating had the actor's accents been more consistent. Some like Kerr and other Norwegians, at least speak in broken English, which I think gives an impression of being foreign but for some annoying reason, Francis L. Sullivan, who is fine otherwise as the nasty German officer, speaks in perfect English with no attempt to disguise his voice at all. That rather spoilt the film for me as other Germans also just spoke in English with no accent.
One scene towards the end is particularly harrowing so still worth a watch, and to see Deborah Kerr of course near the start of her brilliant career.
