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Ajouter une intrigue dans votre langueTom Lawrence, Gay's brother, takes over for his injured sibling in a case which involves Nazi espionage and political assassination.Tom Lawrence, Gay's brother, takes over for his injured sibling in a case which involves Nazi espionage and political assassination.Tom Lawrence, Gay's brother, takes over for his injured sibling in a case which involves Nazi espionage and political assassination.
George J. Lewis
- Valdez
- (as George Lewis)
John Albright
- Ship Passenger
- (non crédité)
Kay Aldridge
- Victory Gown Model
- (non crédité)
- …
Charles Arnt
- Pat Moffett
- (non crédité)
Brooks Benedict
- Fashion Show Attendee
- (non crédité)
Ralph Brooks
- Arlette's Attendant
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesOriginally intended to be the last of the "Falcon" movies, as George Sanders wanted out of the series.
- GaffesNobody seems to be the least bit concerned about getting their own fingerprints all over the murder weapon.
- Citations
Maître d: But, Miss: ladies without escorts are not admitted to the Rose Room.
Marcia Brooks: Who said I was a lady?
- ConnexionsFollowed by Le Faucon pris au piège (1943)
Commentaire à la une
Except for the switcheroo, it's a routine Falcon entry. The series was never big on mystery or atmosphere, staples of better whodunits like the Chan series. Instead, the entries lean heavily on sprightly charm supplied first by Sanders and now by Conway, and a steady stream of statuesque, well-upholstered girls, which this entry supplies in spades. Looks like RKO may have used the series to photograph some of their younger talent.
It turns out here after a couple false starts that the brothers are on the trail of Nazi spies, not surprising for 1942. However, I am surprised that the two actors generally deliver such engaged performances over the course of the entire series. After all, the Falcon role is basically one-dimensional, requiring only that the actor be suavely charming and not much else. I expect Sanders had become bored and quit before losing interest; at the same time, Conway picks up nicely on what has become a family trust.
The best scenes are with Conway and the sprightly reporter Randolph, whose well-scripted chemistry works. It's also a good chance to ogle high fashion, circa 1942. On the other hand, is the witless comedy relief from Clark, Gargan, and Barclay, blowing little lame holes through the proceedings. Anyway, the movie may be unique in film series annals for the way it creates the switcheroo, which really does amount to a startling departure. Otherwise, it's strictly a routine affair.
It turns out here after a couple false starts that the brothers are on the trail of Nazi spies, not surprising for 1942. However, I am surprised that the two actors generally deliver such engaged performances over the course of the entire series. After all, the Falcon role is basically one-dimensional, requiring only that the actor be suavely charming and not much else. I expect Sanders had become bored and quit before losing interest; at the same time, Conway picks up nicely on what has become a family trust.
The best scenes are with Conway and the sprightly reporter Randolph, whose well-scripted chemistry works. It's also a good chance to ogle high fashion, circa 1942. On the other hand, is the witless comedy relief from Clark, Gargan, and Barclay, blowing little lame holes through the proceedings. Anyway, the movie may be unique in film series annals for the way it creates the switcheroo, which really does amount to a startling departure. Otherwise, it's strictly a routine affair.
- dougdoepke
- 27 nov. 2009
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Falcon's Brother
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 3 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was La Relève du Faucon (1942) officially released in India in English?
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