Ajouter une intrigue dans votre langueA boxing champ gets involved with a Broadway show and a shapely chorine...who's engaged to his new sparring partner.A boxing champ gets involved with a Broadway show and a shapely chorine...who's engaged to his new sparring partner.A boxing champ gets involved with a Broadway show and a shapely chorine...who's engaged to his new sparring partner.
Cobina Wright
- Estelle Evans
- (as Cobina Wright Jr.)
Mantan Moreland
- Amos - Porter
- (as Manton Moreland)
Louise Allen
- Chorus Girl
- (non crédité)
Loretta Barnett
- Chorus Girl
- (non crédité)
Harry Barris
- Composer
- (non crédité)
Eleanor Bayley
- Chorus Girl
- (non crédité)
Brooks Benedict
- Nightclub Extra
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesIronically, in the scene where Ms. Grable is rehearsing dance routines over and over (as she is the understudy) in the event she is called upon to fill in for the leading lady, her friend Flo, played by Jane Wyman, utters the line "You have as much chance of going on as I have of becoming First Lady." Of course, Ms Wyman's husband, Ronald Reagan, did become President, but was remarried to Nancy Reagan by that time.
- Citations
Bruce McKay: She's closed up more nightclubs than the chief of police!
- ConnexionsFeatured in Salute to Stan Laurel (1965)
Commentaire à la une
Betty Grable at the point in her career when she made Footlight Serenade was just starting to be known as the GIs number one pin-up girl.
Stardom came late for her, she had been in films for more than ten years. But when it came she became the biggest female star in films. With her singing and dancing and all around good cheer, Footlight Serenade is a classic example of what put her at the top.
Grable gets able support by John Payne and Victor Mature. Payne was also hitting his stride as Fox's singing Tyrone Power and he and Grable have some nice if forgettable tunes. Payne's rival here is Victor Mature also a rising leading man for Darryl Zanuck.
Mature's character is interesting. He's the heavyweight champion of the world, but a champ far more interested in the night life than in his trade. In fact at the beginning of the film, comedian Phil Silvers says to producer James Gleason, Mature has charisma the women are nuts about him, let's put him on stage. Gleason agrees and the film and its situations commence.
I'm convinced that Victor Mature's role is based on former heavyweight champion Max Baer. Baer was one of the 1930s most colorful characters and worthy of a good sports biography. As a boxer there was nothing he didn't lack including a murderous punch that two fatalities could be chalked up to. It was said that Baer lost the killer instinct after that even though he later became heavyweight champion in 1934, beating Primo Carnera. Baer's reign as champion was one long party, just like Mature's character seems to be having. After a year of good times Baer decided to get back in the ring and realizing he was out of shape told his managers to get him a good tune-up fight. The opponent they dug up for him was James J. Braddock who was an unemployed longshoreman in the Depression who took up boxing to feed his family.
Well Braddock the Cinderella Man as he was dubbed beat Max Baer in 1935 and even though he lost in his first title defense to Joe Louis, the Cinderella Man became the stuff of legends. That Cinderella Man moniker got used in another popular film while Braddock was champion and I think Sly Stallone had Braddock in mind when he created the Rocky character.
Oddly enough both Baer and Victor Mature never took themselves too seriously. Baer had a show business career himself and he lived and partied hardy. I think Mature was able to capture this in the role very well.
But it's a Grable picture and for her fans, a real treat.
Stardom came late for her, she had been in films for more than ten years. But when it came she became the biggest female star in films. With her singing and dancing and all around good cheer, Footlight Serenade is a classic example of what put her at the top.
Grable gets able support by John Payne and Victor Mature. Payne was also hitting his stride as Fox's singing Tyrone Power and he and Grable have some nice if forgettable tunes. Payne's rival here is Victor Mature also a rising leading man for Darryl Zanuck.
Mature's character is interesting. He's the heavyweight champion of the world, but a champ far more interested in the night life than in his trade. In fact at the beginning of the film, comedian Phil Silvers says to producer James Gleason, Mature has charisma the women are nuts about him, let's put him on stage. Gleason agrees and the film and its situations commence.
I'm convinced that Victor Mature's role is based on former heavyweight champion Max Baer. Baer was one of the 1930s most colorful characters and worthy of a good sports biography. As a boxer there was nothing he didn't lack including a murderous punch that two fatalities could be chalked up to. It was said that Baer lost the killer instinct after that even though he later became heavyweight champion in 1934, beating Primo Carnera. Baer's reign as champion was one long party, just like Mature's character seems to be having. After a year of good times Baer decided to get back in the ring and realizing he was out of shape told his managers to get him a good tune-up fight. The opponent they dug up for him was James J. Braddock who was an unemployed longshoreman in the Depression who took up boxing to feed his family.
Well Braddock the Cinderella Man as he was dubbed beat Max Baer in 1935 and even though he lost in his first title defense to Joe Louis, the Cinderella Man became the stuff of legends. That Cinderella Man moniker got used in another popular film while Braddock was champion and I think Sly Stallone had Braddock in mind when he created the Rocky character.
Oddly enough both Baer and Victor Mature never took themselves too seriously. Baer had a show business career himself and he lived and partied hardy. I think Mature was able to capture this in the role very well.
But it's a Grable picture and for her fans, a real treat.
- bkoganbing
- 20 juil. 2004
- Permalien
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Durée1 heure 20 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Swing au coeur (1942) officially released in Canada in English?
Répondre