Les enfants du paradis
- 1945
- Tous publics
- 3h 10min
NOTE IMDb
8,3/10
22 k
MA NOTE
La vie d'une belle courtisane et des quatre hommes qui l'aiment.La vie d'une belle courtisane et des quatre hommes qui l'aiment.La vie d'une belle courtisane et des quatre hommes qui l'aiment.
- Nommé pour 1 Oscar
- 2 victoires et 1 nomination au total
María Casares
- Nathalie
- (as Maria Casarès)
Palau
- Le régisseur des Funambules
- (as Pierre Palau)
Etienne Decroux
- Anselme Debureau
- (as Étienne Decroux)
Jane Marken
- Mme Hermine
- (as Jeanne Marken)
Raymond Rognoni
- Le directeur du Grand Théâtre
- (as Rognoni)
Histoire
Le saviez-vous
- AnecdotesFilming was completed a short time before D-Day and the director, having planned to distribute the film after the liberation of France, had three copies printed and concealed in three different places: a cellar of the Banque de France, a strongbox of Pathé and a Provence country house.
- GaffesIn the outdoor market scene, the amount of food laid out on the tables varies from shot to shot. The reason is that the extras were famished from years of wartime food rationing, and stole food whenever they were not closely watched.
- Citations
Frederick: Words and phrases leave you cold. You tell your story without speaking. And you do it so well. You really astonished me. Your legs speak, your hands answer. A glance, a shrug, a step forward, back and they understand up in the Gods.
Baptiste: They understand, though they are poor. I'm like them. I love them, I know them. Their lives are small, but their dreams are vast.
- Versions alternativesThere are various alternate cuts of this film; the complete version runs 195 minutes and has been restored on video.
- ConnexionsEdited into Il était une fois...: Les enfants du paradis (2009)
Commentaire à la une
*Enfants* is a work of genius. I won't say it's the greatest film of all time, because its scope is very narrow: the mystery of the heart, the wayward course of love, the bittersweet joy and sorrow of lovers. Maybe that isn't so narrow after all, but it doesn't cover quite as wide a spectrum as other great films (seven samurai, casablanca, mahabharata, key largo etc). Nonetheless, this film belongs in that same company, for an unsurpassed portrayal of loves lost and won, and also the passion of art, a form of love expressing itself in public creativity, enriching the lives of many. Love between lovers enriches them alone; art enriches the world.
The woman Garance is loved by 4 men in this film. Two of them, at least, are superb renditions of genius-in-creation: the mime Baptiste, and the actor Frederick. Both are geniuses, but while Baptiste is silent, weak, and sad, Frederick is loud, powerful, irrepressively optimistic, courageous and generous. He is one of the greatest characters ever to grace the screen. He has one flaw: his genius is so pure, he has a blind spot regarding the weaknesses of others. He cannot conceive of an emotion such as jealousy, and so can never play Iago - until Garance, the fallen woman, finally teaches him.
The other character who may be a genius is Lacenaire, but he is a criminal genius. Evil, twisted, burning with hatred, he has only one true and honest anchor in society - his love for Garance. It doesn't save him, but it keeps him from being as bad as he could be.
Without going into the whole plot (it's long and convoluted) the primary paradox relates to intersecting and disconnected paths of love between the characters. Garance is loved by 4 men, but she really only loves Baptiste. So does Nathalie, a sweet and simple girl, who has the courage to do what Baptiste can not: she declares her love, and so they marry and have a child. Baptiste lacks the strength to take Garance when he has the chance, and so no one is happy - except maybe Frederick, he lives as life should be lived, and even the pain of losing Garance turns to gold in the alchemy of his art.
But despite the pain, and the unhappiness, loss and death, the world of *enfants* is beautiful. It's a world where love and art mean more than success or failure, a world where money is irrelevant and the passion for life burns away the curtain between fantasy and reality. It's three hours of *paradis*!
10/10, with a bullet through the heart.
The woman Garance is loved by 4 men in this film. Two of them, at least, are superb renditions of genius-in-creation: the mime Baptiste, and the actor Frederick. Both are geniuses, but while Baptiste is silent, weak, and sad, Frederick is loud, powerful, irrepressively optimistic, courageous and generous. He is one of the greatest characters ever to grace the screen. He has one flaw: his genius is so pure, he has a blind spot regarding the weaknesses of others. He cannot conceive of an emotion such as jealousy, and so can never play Iago - until Garance, the fallen woman, finally teaches him.
The other character who may be a genius is Lacenaire, but he is a criminal genius. Evil, twisted, burning with hatred, he has only one true and honest anchor in society - his love for Garance. It doesn't save him, but it keeps him from being as bad as he could be.
Without going into the whole plot (it's long and convoluted) the primary paradox relates to intersecting and disconnected paths of love between the characters. Garance is loved by 4 men, but she really only loves Baptiste. So does Nathalie, a sweet and simple girl, who has the courage to do what Baptiste can not: she declares her love, and so they marry and have a child. Baptiste lacks the strength to take Garance when he has the chance, and so no one is happy - except maybe Frederick, he lives as life should be lived, and even the pain of losing Garance turns to gold in the alchemy of his art.
But despite the pain, and the unhappiness, loss and death, the world of *enfants* is beautiful. It's a world where love and art mean more than success or failure, a world where money is irrelevant and the passion for life burns away the curtain between fantasy and reality. It's three hours of *paradis*!
10/10, with a bullet through the heart.
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Détails
Box-office
- Budget
- 58 000 000 F (estimé)
- Montant brut aux États-Unis et au Canada
- 36 986 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 741 $US
- 11 mars 2012
- Montant brut mondial
- 44 906 $US
- Durée3 heures 10 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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By what name was Les enfants du paradis (1945) officially released in India in Hindi?
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