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Ajouter une intrigue dans votre langueAfter marrying her long-lost love, a musician finds the relationship threatened by a wealthy composer who is besotted with her.After marrying her long-lost love, a musician finds the relationship threatened by a wealthy composer who is besotted with her.After marrying her long-lost love, a musician finds the relationship threatened by a wealthy composer who is besotted with her.
John Alban
- Concertgoer
- (non crédité)
Russell Arms
- Music Student
- (non crédité)
Lois Austin
- Norma - Wedding Guest
- (non crédité)
Patricia Barry
- Music Student
- (non crédité)
Brandon Beach
- Concertgoer
- (non crédité)
Lulu Mae Bohrman
- Restaurant Diner
- (non crédité)
Paul Bradley
- Concertgoer
- (non crédité)
James Carlisle
- Restaurant Diner
- (non crédité)
Gertrude Carr
- Wedding Guest
- (non crédité)
James Conaty
- Well-Wisher at Concert
- (non crédité)
Marcelle Corday
- Hat Check Woman
- (non crédité)
Gino Corrado
- Waiter
- (non crédité)
Suzi Crandall
- Music Student
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesPaul Henreid could not play the cello. While he was able to fake it in the long shots, to achieve the illusion in closeup, he wore a special jacket with no sleeves and holes for two real cellists to insert their arms - one to bow, and one to accurately finger the music - while seated behind him, out of shot.
- GaffesWhile Christine, alone in her studio, is talking to Alexander Hollenius on the telephone, the highly visible shadow of a crew member is moving back and forth across the piano behind her.
- Citations
Alexander Hollenius: [to Christine] Good evening, my dear. Why, you look positively majestic. I think I'd better remain seated.
- ConnexionsEdited into Les cadavres ne portent pas de costard (1982)
- Bandes originalesHollenius' Cello Concerto
Music by Erich Wolfgang Korngold
Performed by Paul Henreid (dubbed by Eleanor Slatkin)
Commentaire à la une
On a recent Turner Classic Movies broadcast, I finally caught up with all of this one, having seen only snippets of it before. Everybody involved was obviously given free rein, from the lead actors all the way through to every behind-the-scenes artisan, the best that Warner Brothers could muster at the time. Claude Rains and Bette Davis spar in magnificent style, with Rains, stroking the fur of his pet Siamese cat, winning by default, since he was given a role which is so over-the-top that, in the hands of a lesser actor, it would have verged on outrageous camp. (Check out the rococo New York brownstone mansion in which he's ensconced, more magnificent than anything a lesser studio could provide for a monarch in a story involving royalty!)
Poor Paul Henreid has a particularly thankless role to play, swinging like an erratic pendulum between jealous tantrums and thoroughly deceived naïveté, but his simulations of the movements of a top-flight cello musician are convincing enough to allow all to be forgiven.
Erich Wolfgang Korngold's music is probably the film's chief asset and it probably sounded superb over the monophonic sound systems when this film was released, since Warners' sound technicians were the best in Hollywood back then. (Unfortunately the soundtrack during the telecast I heard was very wobbly - a real disappointment. Wonder what the problem was, since this certainly isn't the case with many films dating even further into the past.)
While it may not be a delicacy fit for a cinematic gourmet, it's more than passably entertaining for its nearly two-hours running time.
Poor Paul Henreid has a particularly thankless role to play, swinging like an erratic pendulum between jealous tantrums and thoroughly deceived naïveté, but his simulations of the movements of a top-flight cello musician are convincing enough to allow all to be forgiven.
Erich Wolfgang Korngold's music is probably the film's chief asset and it probably sounded superb over the monophonic sound systems when this film was released, since Warners' sound technicians were the best in Hollywood back then. (Unfortunately the soundtrack during the telecast I heard was very wobbly - a real disappointment. Wonder what the problem was, since this certainly isn't the case with many films dating even further into the past.)
While it may not be a delicacy fit for a cinematic gourmet, it's more than passably entertaining for its nearly two-hours running time.
- gregcouture
- 9 nov. 2004
- Permalien
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- How long is Deception?Alimenté par Alexa
Détails
- Durée1 heure 55 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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