Ajouter une intrigue dans votre langueA love triangle of two sisters, both passionately desiring the same man.A love triangle of two sisters, both passionately desiring the same man.A love triangle of two sisters, both passionately desiring the same man.
- Récompenses
- 1 victoire au total
Lauri Korpela
- Brauner
- (non crédité)
Laina Laine
- Housekeeper
- (non crédité)
Nora Mäkinen
- Prostitute
- (non crédité)
Lida Salin
- Bar hostess
- (non crédité)
Emma Väänänen
- Mother in consulting room
- (non crédité)
Elli Ylimaa
- Aunt
- (non crédité)
Histoire
Le saviez-vous
- ConnexionsEdited into Fedja (2012)
- Bandes originalesA-molli-valssi
Composed by Frédéric Chopin
Commentaire à la une
Certainly not the best Tulio Film, here he teams up again with writer Nisse Hirn and actress Regina Linnanheimo. The set-up is fairly conventional melodrama. Two sisters both fall for a handsome doctor and when the doctor marries the older sister, the younger one, heart-broken, leaves the country. After some dramatic twists, the younger sister returns home and the main characters find themselves in an agonizing love triangle.
The dialog, even by Tulio/Hirn standards, is laughably stiff and pompous for the first 20-30 minutes. After that it settles into something a bit less over-the-top, but don't get it confused, this is melodrama through and through. And as the drama tightens, Linnanheimo's acting chops are truly put to the test; and viewers do well to remind themselves that this is melodrama, not real life.
Tulio's visual touch is here, with the accustomed close-ups and inventive editing. What makes this truly interesting, however, is the moral ambiguity. For 1946, there are a number of questionable elements here that would have had Hollywood censors reaching for their heart medicine in utter shock.
The dialog, even by Tulio/Hirn standards, is laughably stiff and pompous for the first 20-30 minutes. After that it settles into something a bit less over-the-top, but don't get it confused, this is melodrama through and through. And as the drama tightens, Linnanheimo's acting chops are truly put to the test; and viewers do well to remind themselves that this is melodrama, not real life.
Tulio's visual touch is here, with the accustomed close-ups and inventive editing. What makes this truly interesting, however, is the moral ambiguity. For 1946, there are a number of questionable elements here that would have had Hollywood censors reaching for their heart medicine in utter shock.
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Détails
- Durée1 heure 31 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Levoton veri (1946) officially released in Canada in English?
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