Un aviateur britannique en temps de guerre qui se joue de la mort doit plaider pour sa vie devant une cour céleste.Un aviateur britannique en temps de guerre qui se joue de la mort doit plaider pour sa vie devant une cour céleste.Un aviateur britannique en temps de guerre qui se joue de la mort doit plaider pour sa vie devant une cour céleste.
- Récompenses
- 1 victoire et 2 nominations au total
Bonar Colleano
- An American Pilot
- (as Bonor Colleano)
Robert Arden
- GI Playing Snout
- (non crédité)
Robert Beatty
- US Crewman
- (non crédité)
Eric Cawthorne
- Goatherd
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThe first scene shot was David Niven washing up on the beach. Originally planned to fade in from black, Michael Powell decided on the spot that the effect would be too cheesy. When Jack Cardiff told him to look through the camera, Cardiff then deliberately breathed onto the lens, which fogged the glass for a few seconds until it evaporated. Powell loved the idea and had him use it for the shot.
- GaffesAfter Peter's second encounter with the Heavenly Messenger, this time in Frank's library, the doctor and June desperately attend to Peter's condition. June kneels in front of Peter and begins to giggle uncontrollably, then expertly hides herself behind Frank to avoid the camera.
- Citations
Doctor Frank Reeves: A weak mind isn't strong enough to hurt itself. Stupidity has saved many a man from going mad.
- Crédits fousForeword (Scrolled up the screen at the start of the film): This is a story of two Worlds the one we know and another which exists only in the mind of a young airman whose life & imagination have been violently shaped by war [Pauses, then scrolls up to reveal] Any resemblance to any other world known or unknown is purely coincidental.
- Versions alternativesThe US release was cut to avoid showing the naked shepherd boy in the sand dunes.
- ConnexionsFeatured in The Story of Making the Film They're a Weird Mob (1966)
- Bandes originalesScherzo
(1842) (uncredited)
from "A Midsummer Night's Dream, Op.61"
Written by Felix Mendelssohn
Played on a record at the Shakespeare rehearsal
Commentaire à la une
A Matter of Life and Death had me stunned when I first saw it. The marvellous opening, makes you feel like you are floating among the stars in a place of your own. Then it moves to the horrors of war and the down side of life, men dead and more to follow. The story has already been told a thousand times by other reviewers who were as enchanted by this film as I was. The cinematography, the story, everything was just right. In my book it is the greatest film ever made. I liked the way that the earth is in sometimes beautiful, sometimes gritty Technicolour, then what is above is in mystical Black and White. To my dying days I will always love this film. See it before you die.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- A Matter of Life and Death
- Lieux de tournage
- Saunton Sands, Devon, Angleterre, Royaume-Uni(beach: The Burrows)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 320 000 £GB (estimé)
- Montant brut mondial
- 179 059 $US
- Durée1 heure 44 minutes
- Rapport de forme
- 1.37 : 1
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Lacune principale
What is the Japanese language plot outline for Une question de vie ou de mort (1946)?
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