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Ajouter une intrigue dans votre langueA successful nightclub singer weds a struggling songwriter, but when his fame eclipses hers, she delves into alcoholism.A successful nightclub singer weds a struggling songwriter, but when his fame eclipses hers, she delves into alcoholism.A successful nightclub singer weds a struggling songwriter, but when his fame eclipses hers, she delves into alcoholism.
- Nommé pour 2 Oscars
- 2 nominations au total
Ernie Adams
- Charley, Waiter
- (non crédité)
Erville Alderson
- Farmer at Fire
- (non crédité)
Fred Aldrich
- Doorman at Nightclub
- (non crédité)
Carol Andrews
- Female Photographer
- (non crédité)
Sam Ash
- Party Guest
- (non crédité)
Brooks Benedict
- Celebrant with Mr. Gordon
- (non crédité)
Larry J. Blake
- Radio Station Emcee
- (non crédité)
Paul Bradley
- Mike's Companion
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesReportedly suggested by the life and career of Bing Crosby and songstress wife Dixie Lee; when his popularity as an entertainer eclipsed that of Lee, she drifted into extreme alcoholism, just as Susan Hayward's character does in film.
- Citations
Ken Conway: I'm gonna have a baby!
Steve Nelson: I told you you had talent.
- ConnexionsFeatured in Fear Stalk (1989)
- Bandes originalesHushabye Island
(1947)
(Published as "Hush-a-bye Island")
Music by Jimmy McHugh
Lyrics Harold Adamson
Sung at home by Lee Bowman (uncredited) (dubbed by Hal Derwin) (uncredited)
Sung by Susan Hayward (uncredited) (dubbed by Peg La Centra (uncredited)) to her baby twice
Commentaire à la une
Allegedly, Susan Hayward got this breakthrough role because every other Hollywood actress turned it down, due to the fact that it is the story of Bing Crosby's wife, Dixie Lee. Whatever, it got Susan an Oscar nomination and put her on the road to meatier parts.
As other comments have pointed out, this was probably considered very hard-hitting back in the day. But while it's true that "The Lost Weekend" tackled alcoholism, this is the story of a woman alcoholic, and that carries a lot of baggage with it - baggage Hollywood probably wasn't ready to face in 1947. One of the stereotypes of female alcoholism is promiscuity, a subject not broached here. Also, rather than a slovenly, bedraggled appearance, Hayward looks gorgeous throughout. Had this subject been handled more brutally, it would have been groundbreaking. In 1947, alcoholics like Gail Russell hid out at home, leading miserable, lonely lives. Here, Hayward gives up her own successful singing career to be the stay at home wife of Lee Bowman, whose career takes off. (In Bowman's dubbing, they even give him those mellow, rounded Crosby-like tones.) Boredom, feeling left out, and jealousy lead her to consume more and more alcohol, although it's clear from the beginning of the film that she drinks for courage before performing.
Her downward cycle and the ending of the movie are all a little too pat, but Hayward does a good job with the material she's given. Lee Bowman is miscast as her successful husband - he lacks the charisma, breezy manner, and flirtatiousness one would associate with a successful pop singer of the era and displays none of the ambition one would suspect Crosby and Sinatra, for instance, possessed. He also lacks the self-involvement one would associate with a star of that magnitude, which would in turn drive his wife out of his life. This is more the fault of the script and the direction, however.
Eddie Albert is charming and gives an honest performance as partner and concerned friend.
Recommended if you want to see a young Susan Hayward in a meaty role.
As other comments have pointed out, this was probably considered very hard-hitting back in the day. But while it's true that "The Lost Weekend" tackled alcoholism, this is the story of a woman alcoholic, and that carries a lot of baggage with it - baggage Hollywood probably wasn't ready to face in 1947. One of the stereotypes of female alcoholism is promiscuity, a subject not broached here. Also, rather than a slovenly, bedraggled appearance, Hayward looks gorgeous throughout. Had this subject been handled more brutally, it would have been groundbreaking. In 1947, alcoholics like Gail Russell hid out at home, leading miserable, lonely lives. Here, Hayward gives up her own successful singing career to be the stay at home wife of Lee Bowman, whose career takes off. (In Bowman's dubbing, they even give him those mellow, rounded Crosby-like tones.) Boredom, feeling left out, and jealousy lead her to consume more and more alcohol, although it's clear from the beginning of the film that she drinks for courage before performing.
Her downward cycle and the ending of the movie are all a little too pat, but Hayward does a good job with the material she's given. Lee Bowman is miscast as her successful husband - he lacks the charisma, breezy manner, and flirtatiousness one would associate with a successful pop singer of the era and displays none of the ambition one would suspect Crosby and Sinatra, for instance, possessed. He also lacks the self-involvement one would associate with a star of that magnitude, which would in turn drive his wife out of his life. This is more the fault of the script and the direction, however.
Eddie Albert is charming and gives an honest performance as partner and concerned friend.
Recommended if you want to see a young Susan Hayward in a meaty role.
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Détails
Box-office
- Budget
- 1 360 286 $US (estimé)
- Durée1 heure 43 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Une vie perdue (1947) officially released in India in English?
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