Ajouter une intrigue dans votre langueIn this farcical comedy, a couple with money woes arrange a financially motivated marriage between their golf-pro son and a wealthy heiress. Little do they know, their son has already been w... Tout lireIn this farcical comedy, a couple with money woes arrange a financially motivated marriage between their golf-pro son and a wealthy heiress. Little do they know, their son has already been wed while playing a tournament in France.In this farcical comedy, a couple with money woes arrange a financially motivated marriage between their golf-pro son and a wealthy heiress. Little do they know, their son has already been wed while playing a tournament in France.
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- AnecdotesA nitrate print of this film survives in the UCLA Film and Television Archives, and is not listed for preservation.
- Citations
Hopkins: The agency has promised to send a new maid this afternoon, miss. But they know that I am particular.
Phyllis Carrington: Well if they find one to suit you, send her up.
- Bandes originalesApril in My Heart
Written by Hoagy Carmichael and Helen Meinardi
This is the only pairing of Ray Milland (Richard Carrington, Jr.) and Olympe Bradna (Julie). They have excellent chemistry and provide much of the comedy. But the supporting cast contribute as well. Especially Walter Kingsford as Hopkins, Janet Beecher as Mrs. Carrington, Irene Hervey as Auriol Marsden and Erik Rhodes as Irving. Toward the very end, one of the craziest road scenarios in all filmdom occurs. Hurrying to get to the docks before Julie leaves on the Queen Mary, Rick and Auriol's taxi comes to a halt in a traffic jam. They see a boy (Billy Benedict) weaving between cars in a motorized soap box car and for 50 bucks he takes them on a hair-raising ride with, no brakes, dodging and missing cars at intersections, and smashing to a halt against a cab right at the docks.
Rick's dad owns a ship-building company and Rick is just returning from an international golf tournament in France where he finished second. His new, young French wife is with him. Before he can introduce Julie to his parents, Rick learns that his dad is about broke and can only be saved by getting an upcoming contract. In the meantime, it would help his finances if Rick were to marry his childhood girlfriend, Auriol. Julie is mistaken by their butler, Hopkins, as the new maid. From there on plenty of humor develops. There are a couple more wrenches in this madcap film, but some very good humor surrounds Rick getting caught by Hopkins in the maid's quarters. The other maid says she heard snoring coming from that room at night, and later Rick says if anyone is ever heard snoring, it would have to be his dad, Richard Sr. That really gets a raised eyebrow from Hopkins.
With some more work on the screenplay, to get around a couple of holes and better handle the mass confusion among the family toward the end, this could be a superb comedy. It's still very good and besides screwball, it fits in another sub-group of butler and maid comedies. Now, as to Milland and Bradna in the lead roles.
This was just Bradna's 8th film and first comedy lead. The very talented starlet was raised in a performing family. Her father had been a circus rider and then ringmaster with Ringling Brothers Circus. She was born in a vaudeville theater in Paris, France where her parents were performing at the time. At an early age she learned acrobatics, dancing, and singing. She was discovered by Paramount when she was singing and dancing at a French casino in New York. She had four more lead roles after this film, but in 1941, having made a total of 13 films, she gave up acting entirely. She married Douglas Wood Wilholt Sr., of Santa Barbara, California. They had three children and were active in civic affairs and charities. Bradna's only marriage is one of the longest of anyone in Hollywood - 70 years, ending in February 2012 with the death of her husband. She died a few months later, on Nov. 5, at age 92.
Ray Milland, on the other hand, had been around a decade, and had but a few leading roles before this, his 30th film. This was just his second comedy lead and helped prove his penchant for comedy. His star would rise for good within a couple of years - in both comedy and drama. Milland was born Reginald Alfred Jones in 1907 in Wales. He had a well-to-do upbringing and became an expert equestrian and very adept at shooting, fencing and boxing. That he became an actor at all was a fluke. But once he did and after some good years in a variety of roles, he became a leading actor for three decades. Milland won the Oscar for best actor in the 1946 drama, "The Lost Weekend." He stayed with acting all the rest of his life and made 175 movies and TV shows. He died in 1986 at age 79. He too had just one marriage that lasted a long time - 53 years. He and wife Muriel Weber raised two children.
Another very funny scene is when Rick's mom and sister, who can't speak French, ask Rick to say something to their new French maid, Julie. He and Julie get into an argument in French as the two befuddled women look on. And, yet another, is Rick's going to the laundromat with Julie. As he hangs up a couple pieces of women's underwear, two old ladies who are ironing laugh. Then when Rick leaves and gives his funny Indian imitation sign to Julie, the old gals laugh and laugh, while one's unattended iron burns through the clothing that catches fire.
Here are some favorite lines.
Richard Carrington, "I am not in love with you." Auriol Marsden, "Oh, well, I guessed that. But I love you enough to overlook it."
Richard, "Is his name Irving?" Auriol, "Yes, that's why I call him Irving."
Auriol , "You see how it is. But father's after him with a razor, and I don't mean a safety razor."
Waiter (Max Barwyn, uncredited), "Pardon me... " Auriol , "Oh, did I interrupt you?" Waiter, "No, I interrupted you." Auriol, "Oh, I'm so sorry."
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Say It in French
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 10 minutes
- Couleur
- Rapport de forme
- 1.37 : 1