Une domestique du domaine des Hauts de Hurlevent raconte à un voyageur le récit tragique des amants Cathy et Heathcliff.Une domestique du domaine des Hauts de Hurlevent raconte à un voyageur le récit tragique des amants Cathy et Heathcliff.Une domestique du domaine des Hauts de Hurlevent raconte à un voyageur le récit tragique des amants Cathy et Heathcliff.
- Récompensé par 1 Oscar
- 7 victoires et 7 nominations au total
Sarita Wooton
- Cathy (as a child)
- (as Sarita Wooten)
Frank Benson
- Heathcliff Servant
- (non crédité)
Romaine Callender
- Robert
- (non crédité)
Richard Clucas
- Little Boy
- (non crédité)
Vernon Downing
- Giles
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesLaurence Olivier found himself becoming increasingly annoyed with director William Wyler's exhausting style of filmmaking. After yet another take, he is said to have exclaimed, "For God's sake, I did it sitting down. I did it with a smile. I did it with a smirk. I did it scratching my ear. I did it with my back to the camera. How do you want me to do it?" Wyler's retort was, "I want it better." However, Olivier later said these multiple takes helped him learn to succeed as a movie actor.
- GaffesThough the social situations, and even the soundtrack, are consistent with the novel's timeframe of 1770-1801, the Colonial/Napoleonic era, the costumes are an odd mix of mid-Victorian and American Civil War.
- Citations
Heathcliff: Catherine Earnshaw, may you not rest so long as I live on! I killed you. Haunt me, then! Haunt your murderer! I know that ghosts have wandered on the Earth. Be with me always. Take any form, drive me mad, only do not leave me in this dark alone where I cannot find you. I cannot live without my life! I cannot die without my soul.
- Crédits fousOpening credits prologue: On the barren Yorkshire moors in England, a hundred years ago, stood a house as bleak and desolate as the wastes around it. Only a stranger lost in a storm would have dared to knock at the door of Wuthering Heights.
- Versions alternativesThere is an Italian edition of this film on DVD, distributed by DNA Srl: "CIME TEMPESTOSE (1939) + ORGOGLIO E PREGIUDIZIO (1940)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnexionsFeatured in AFI Life Achievement Award: A Tribute to William Wyler (1976)
- Bandes originalesPiano Sonata in A major, K.331: Rondo alla Turca
(1778) (uncredited)
Music by Wolfgang Amadeus Mozart
Played by Alice Ehlers on harpsichord
Commentaire à la une
I saw this film many years before I read the book, I know which I prefer - OK, maybe with rose-tinted spectacles on. The book by Emily Bronte is an undeniable classic as is this film version but imho this is a much better use of one hundred and five minutes of life. And though they keep trying, this will remain the best condensation of the story, Wuthering Lites c/o the original Fantasy Factory.
Waif brought into well off Yorkshire home, grows up to fall in violent love with the masters daughter and violent hate with the son, and eventually owns the estate but not the woman. Laurence Olivier and Merle Oberon are perfect as the manic birds of a feather Heathcliff and Cathy with David Niven as the elegant sidelined husband. Everyone is portrayed as faulty or unlikeable in some way, romance is seen as hopeless childishness leading at best to passionate petulance, at worst to death; love is as strange as people. It's relentlessly beautiful stuff, gloriously photographed by Gregg Toland with a glowing atmosphere and a most assured production than has not been possible to achieve again. The spirit of nonsensical romance has been lost in this more cynical age. Favourite bits: Miles Mander's melodramatics at the beginning resulting in Flora Robson's picture-long flashback; the windswept pair on the rocks; the pair gatecrashing the dance; Oberon's unravelling to Niven and the tear-jerking finale. Director William Wyler had a long and illustrious career, but to my mind he never bettered this effort.
Watch it and weep; not only at the film's content but for a cinematic era long dead and never coming back.
Waif brought into well off Yorkshire home, grows up to fall in violent love with the masters daughter and violent hate with the son, and eventually owns the estate but not the woman. Laurence Olivier and Merle Oberon are perfect as the manic birds of a feather Heathcliff and Cathy with David Niven as the elegant sidelined husband. Everyone is portrayed as faulty or unlikeable in some way, romance is seen as hopeless childishness leading at best to passionate petulance, at worst to death; love is as strange as people. It's relentlessly beautiful stuff, gloriously photographed by Gregg Toland with a glowing atmosphere and a most assured production than has not been possible to achieve again. The spirit of nonsensical romance has been lost in this more cynical age. Favourite bits: Miles Mander's melodramatics at the beginning resulting in Flora Robson's picture-long flashback; the windswept pair on the rocks; the pair gatecrashing the dance; Oberon's unravelling to Niven and the tear-jerking finale. Director William Wyler had a long and illustrious career, but to my mind he never bettered this effort.
Watch it and weep; not only at the film's content but for a cinematic era long dead and never coming back.
- Spondonman
- 16 mai 2014
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Cumbres borrascosas
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 624 643 $US
- Week-end de sortie aux États-Unis et au Canada
- 15 493 $US
- 9 avr. 1989
- Montant brut mondial
- 624 643 $US
- Durée1 heure 44 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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