Le fils adoptif d'un acteur légendaire, lui-même vedette en herbe, se tourne vers la nourrice de son jeune frère en guise de soutien et d'affection, et celle-ci abandonne tout pour la gloire... Tout lireLe fils adoptif d'un acteur légendaire, lui-même vedette en herbe, se tourne vers la nourrice de son jeune frère en guise de soutien et d'affection, et celle-ci abandonne tout pour la gloire de son bien-aimé.Le fils adoptif d'un acteur légendaire, lui-même vedette en herbe, se tourne vers la nourrice de son jeune frère en guise de soutien et d'affection, et celle-ci abandonne tout pour la gloire de son bien-aimé.
- Récompenses
- 1 victoire au total
Histoire
Le saviez-vous
- AnecdotesThis film is said by critics and scholars to epitomize the "one scene = one long shot" aesthetic of director Kenji Mizoguchi. In fact, there are many scenes that have no internal cuts, and the entire film contains almost no close-ups.
- GaffesOtoku is a wet nurse but there is no mention of her having had a child (or having been pregnant).
- Citations
Kikunosuke Onoue: I've never been as happy as I was the other night. People always flatter me to my face, then happily ridicule me behind my back. You're the first to speak to me with real warmth and sincerity.
Otoku: To hear that it pleased you so makes me so very happy.
Kikunosuke Onoue: Those geisha and other women make a fuss over me only because I'm Kikugoro's son. They couldn't care less about my acting. If I gave up my place as Kikugoro's heir, nobody would give a damn about me. I've been so lonely. When you spoke to me the way you did, for the first time in my life I felt a happiness that touched me deeply. It was like climbing a mountain pass on a hot summer's day and drinking from a cold stream.
- ConnexionsReferenced in Aru eiga-kantoku no shôgai (1975)
It's a quite long movie, which is not really due to its story but more in the way its sequences are handled. Director Kenji Mizoguchi maintains a very slow pace with many long static scenes in it, in which the camera doesn't move and there are no in between cuts. It does work out well though for the movie. It makes the movie visually beautiful to look at but also makes the story more powerful. It's a real fine directed movie, for which the director can not be praised enough. He handles the movie and its story really well and effectively.
The story features some typical and important Japanese themes in it, such as honor and family. Fans of Japanese cinema or Japanese culture will surely get a blast out of this movie. The entire story is set in the Japan, or Tokyo to be precise, of 1885. This means that the movie is also being filled by some wonderful looking sets and costumes.
It's also a pretty well acted movie. Normally I'm not a too big fan of acting in Asian movies but this movie feature some rather realistic performance, that don't ever go over-the-top, which also is a real accomplishment for a '30's movie in general.
Mostly due to its directing approach the movie works out so well and effectively. Because lets be honest, the story itself is actually quite simple and also not something that hasn't done before in any way. It's the reason why director Kenji Mizoguchi is still so loved and appreciated by many, even now, well over 50 years after his death. The themes are all handled well and despite being not too original, it all works out still well and refreshing.
But it's not just a style for everybody though. I can understand that some people might not like watching this movie, since it's pace is so slow and overall cinematic style is so outdated now days. Nevertheless cinematic lovers, or just fans of Japanese cinema, should be able to really appreciate this movie.
9/10
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- Boba_Fett1138
- 17 sept. 2008
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Story of the Last Chrysanthemum
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 6 125 $US
- Durée2 heures 23 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1