Ajouter une intrigue dans votre langueAlthough the home of cabinet minister Arthur Bennett is a hotbed of spies, moles, and double agents, no one knows the true identity of notorious German spymaster Strendler.Although the home of cabinet minister Arthur Bennett is a hotbed of spies, moles, and double agents, no one knows the true identity of notorious German spymaster Strendler.Although the home of cabinet minister Arthur Bennett is a hotbed of spies, moles, and double agents, no one knows the true identity of notorious German spymaster Strendler.
- British Intelligence Agent
- (non crédité)
- Miss Risdon - Bennett's Secretary
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- Under Officer Pfalz
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- Capt. Lanark
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- German Officer
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- Von Ritter
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- Milkman
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- German Junior Officer
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- Otto Kurtz
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- Brigadier General
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- German Soldier
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- Cabinet Minister
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Histoire
Le saviez-vous
- AnecdotesIn the vestibule of Bennett's home hangs a well-known [reproduction] painting by Rembrandt, called 'An Old Man in Military Costume.' Dating from c.1631, it is a portrait of an old man posing in an outfit featuring a metal breastplate and a plumed hat. The original has been owned by the Getty Center in Los Angeles since 1978.
- GaffesWhen in London in a taxi, Helene says to Henry Thompson "Wasn't there a son?" Thompson replies "Frank, I think his name is. He's in France in the Air Force." The Royal Air Force did not come into existence until 1st April 1918 and was at that time The Royal Flying Corps.
- Citations
Helene Von Lorbeer, aka Frances Hautry: [hoping to meet Strendler] I'm so anxious to meet him, his work, his methods - a genius!
Valdar, aka Karl Schiller: No! A symbol of blind duty!
Helene Von Lorbeer, aka Frances Hautry: Or a complete patriot?
Valdar, aka Karl Schiller: Perhaps he has no soul, no conscience, nothing! He'd kill you or me - for duty!
- Crédits fousThe swelling of the end title music cuts off the end of Colonel Yates's final line. However, as he has just said "We will fight on" and is simply repeating "and on, and on, and on," it was likely not a mistake.
- ConnexionsEdited from La patrouille de l'aube (1930)
Set in 1917, the action is presented as directly relevant to the current events of 1940; more than one speech steps aside from the actual plot and appeals to an audience who would know exactly what was meant by references to future wars and to future lunatics who would again want to take over the world. The film's final speaker actually turns straight on to the camera for his inspirational closing sentences—the kind of exhortation that was frequent in WWII era films, that we rarely if ever see in pictures from any other era, and that can be strangely stirring even at this great distance.
Boris Karloff and Margaret Lindsay are both excellent, especially in their scenes together: their eyes are wonderfully expressive as they watch each other, play their roles, calculate loyalties and next moves.
Favorite moment: the late scene at the center of which Karloff purrs, "Excellent. But I'm afraid it won't quite do."
Definitely a spy vs. spy quickie worth watching.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- British Intelligence Service
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 1 minute
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1