Fantasia
- 1940
- Tous publics
- 2h 4min
Une suite de huit dessins animés illustrant de grands morceaux de musique classique.Une suite de huit dessins animés illustrant de grands morceaux de musique classique.Une suite de huit dessins animés illustrant de grands morceaux de musique classique.
- Récompenses
- 8 victoires et 1 nomination
Corey Burton
- Narrator: Deems Taylor overdubs (2000 restoration)
- (voix)
- (non crédité)
Walt Disney
- Mickey Mouse (segment 'The Sorcerer's Apprentice')
- (voix)
- (non crédité)
Hugh Douglas
- Narrator (1982 version)
- (voix)
- (non crédité)
James MacDonald
- Percussionist
- (non crédité)
Tim Matheson
- Narrator (1985 version)
- (voix)
- (non crédité)
Julietta Novis
- Soloist (segment 'Ave Maria')
- (voix (chant))
- (non crédité)
Paul J. Smith
- Violinist
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThe animators secretly modeled elements of the Sorcerer in "The Sorcerer's Apprentice" on their boss, Walt Disney. The raised eyebrow was regarded as a dead giveaway. They call the character Yen Sid, which is "Disney" spelled backwards.
- GaffesWhen introducing the "Pastoral" sequence, Deems Taylor mixes Greek and Roman names of deities: Bacchus, Vulcan and Diana are Roman; Zeus, Iris and Morpheus are Greek. Apollo is the only one whose Greek and Roman equivalents have the same name.
- Citations
Mickey Mouse: [Pulling on Stokowski's coat] Mr. Stokowski! Mr. Stokowski!
[Mickey whistles to get Stokowski's attention]
Mickey Mouse: My congratulations, sir!
Leopold Stokowski: [shaking hands with Mickey] Congratulations to you, Mickey!
Mickey Mouse: Gee, thanks! Hehe! Well, so long! I'll be seeing ya!
Leopold Stokowski: Goodbye!
- Crédits fousThere are no closing credits of any kind. Not even the words "THE END" appear on the screen.
- Versions alternativesBefore the 1990 re-release, the film was shown with no credits other than the title and the RKO logo. Leopold Stokowski received a written credit only on the posters advertising the film. In the film's original roadshow release, not even the title was shown at the beginning of the film - that was saved for the intermission break.
- ConnexionsEdited into Un monde est né (1955)
- Bandes originalesToccata and Fugue in D Minor, BWV 565
Composed by Johann Sebastian Bach
Orchestrated by Leopold Stokowski (uncredited)
Played by The Philadelphia Orchestra
Conducted by Leopold Stokowski
Commentaire à la une
This unusual and very creative classic of animation combines a very interesting idea with quite a bit of imagination, plus visual effects that still hold up quite well. All but a couple of the sequences are quite enjoyable, and some especially so. Even the segments that don't work as well are usually at least interesting, since you can at least appreciate what they were trying to accomplish.
You don't really have to be all that familiar with the specific pieces of music for it to be worthwhile, since in several cases they chose to match the music with material that is rather different in nature from any original context that it may have had. And in any case, the animated sequences are intended to provide the context, in terms of the movie.
No doubt, everyone will have his or her own favorite segments, based on the music itself and on the choice of accompanying visual material. The "Sorcerer's Apprentice" sequence, with Mickey Mouse, is certainly one of the most memorable. The adaptation of "The Rite of Spring" is quite imaginative in using an entirely different setting for the music. "Night on Bald Mountain" has striking and sometimes bizarre visuals.
Many of the classic Disney features still hold up well as family entertainment, but "Fantasia" is unique for its combination of imaginative concept and visual creativity. Not every minute of it works, but that's the price of being willing to experiment. It's an enjoyable and satisfying feature that well deserves to be remembered.
You don't really have to be all that familiar with the specific pieces of music for it to be worthwhile, since in several cases they chose to match the music with material that is rather different in nature from any original context that it may have had. And in any case, the animated sequences are intended to provide the context, in terms of the movie.
No doubt, everyone will have his or her own favorite segments, based on the music itself and on the choice of accompanying visual material. The "Sorcerer's Apprentice" sequence, with Mickey Mouse, is certainly one of the most memorable. The adaptation of "The Rite of Spring" is quite imaginative in using an entirely different setting for the music. "Night on Bald Mountain" has striking and sometimes bizarre visuals.
Many of the classic Disney features still hold up well as family entertainment, but "Fantasia" is unique for its combination of imaginative concept and visual creativity. Not every minute of it works, but that's the price of being willing to experiment. It's an enjoyable and satisfying feature that well deserves to be remembered.
- Snow Leopard
- 4 nov. 2004
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Bach to Stravinsky and Bach
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 280 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 76 408 097 $US
- Week-end de sortie aux États-Unis et au Canada
- 980 798 $US
- 10 févr. 1985
- Montant brut mondial
- 76 411 819 $US
- Durée2 heures 4 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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