NOTE IMDb
7,6/10
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MA NOTE
Pendant la Seconde Guerre mondiale, le valet de l'ambassadeur britannique à Ankara vend des secrets aux Allemands tout en tentant de séduire une comtesse polonaise réfugiée.Pendant la Seconde Guerre mondiale, le valet de l'ambassadeur britannique à Ankara vend des secrets aux Allemands tout en tentant de séduire une comtesse polonaise réfugiée.Pendant la Seconde Guerre mondiale, le valet de l'ambassadeur britannique à Ankara vend des secrets aux Allemands tout en tentant de séduire une comtesse polonaise réfugiée.
- Nommé pour 2 Oscars
- 5 victoires et 4 nominations au total
Abdullah Abbas
- Customer
- (non crédité)
Diane Adrian
- Singer on French Record
- (voix)
- (non crédité)
Hanna Axmann-Rezzori
- Von Papen's Secretary
- (non crédité)
Salvador Baguez
- Ship's Captain
- (non crédité)
David Bauer
- Da Costa
- (non crédité)
Harry Baum
- Footman
- (non crédité)
Maurice Brierre
- Minor Role
- (non crédité)
Oliver Cross
- British Officer
- (non crédité)
Alexis Davidoff
- Turk Guard
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThe real Cicero was Elyesa Bazna, an Albanian. In his book "I Was Cicero" he retells the story, listing his collaborators as a chambermaid and his niece. The character of the countess was a Hollywood fabrication.
- GaffesWhen the British ambassador's valet Diello (James Mason) suggests that his new German spymaster change the combination on the latter's safe, he gives the existing combination 1-30-33 as based on the date of Hitler's rise to power, suggesting instead 6-18-15, the date of the Battle of Waterloo. One would expect an employee of the Britsh Embassy (particularly one born in the UK) to have used "European" notation (date/month/year) instead of US notation (month/day/year), particularly when speaking with a German.
- Citations
Count Franz Von Papen: I've often wondered, Countess - why did you leave Warsaw?
Countess Anna Staviska: Bombs were falling. I felt I was in the way.
- Crédits fousBefore the movie title: This is a true story. All the exterior scenes in this picture were filmed in the locales associated with the story.
- ConnexionsFeatured in Bulworth (1998)
Commentaire à la une
Supposedly based on a true story, a valet uses his position at British embassy to steal WWII secrets to sell to the Germans.
What a superbly tight script that stays on the compelling track the whole time. We watch lowly valet Diello (Mason) use nothing but wits and guts to outmaneuver both the British and the Germans. He's not a sympathetic lead character, always unusual for a Hollywood production (TCF). But you can't help admiring his ability to outwit the professionals, even if he is completely self-centered.
I get the feeling Diello sees himself as a natural born aristocrat denied that position by the fortunes of birth. So, by golly, he's going to use those talents to get the wealth and position he deserves, but which European society has denied him.
Mason is simply superb in a tailor-made part. He projects both the icy intelligence and curt politeness that the role requires. I sweated a bucket load when the cleaning lady rummages around the closet, while Diello photographs embassy secrets. If she finds the power switch, he's toast. Great scene.
Note too, how there're no obvious good guys-bad guys, also unusual for a WWII drama. The British are slightly favored, but at least the Germans aren't caricatured. It's more like one opportunist (Diello) is exploiting both sides impartially, and they're both after him.
Then too, what guy wouldn't lose his head over the delectable Darrieux, even a guy as calculating as Diello. All of which makes the ending one of the most ironically satisfying in movie annals. I'm betting this was one of the best films to come out of that spare movie year of 1952. So if you haven't seen it, do.
What a superbly tight script that stays on the compelling track the whole time. We watch lowly valet Diello (Mason) use nothing but wits and guts to outmaneuver both the British and the Germans. He's not a sympathetic lead character, always unusual for a Hollywood production (TCF). But you can't help admiring his ability to outwit the professionals, even if he is completely self-centered.
I get the feeling Diello sees himself as a natural born aristocrat denied that position by the fortunes of birth. So, by golly, he's going to use those talents to get the wealth and position he deserves, but which European society has denied him.
Mason is simply superb in a tailor-made part. He projects both the icy intelligence and curt politeness that the role requires. I sweated a bucket load when the cleaning lady rummages around the closet, while Diello photographs embassy secrets. If she finds the power switch, he's toast. Great scene.
Note too, how there're no obvious good guys-bad guys, also unusual for a WWII drama. The British are slightly favored, but at least the Germans aren't caricatured. It's more like one opportunist (Diello) is exploiting both sides impartially, and they're both after him.
Then too, what guy wouldn't lose his head over the delectable Darrieux, even a guy as calculating as Diello. All of which makes the ending one of the most ironically satisfying in movie annals. I'm betting this was one of the best films to come out of that spare movie year of 1952. So if you haven't seen it, do.
- dougdoepke
- 22 janv. 2011
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- 5 Fingers
- Lieux de tournage
- Yeni Cami Square, Eminönü, Fatih, Istanbul, Turquie(market scene at end of movie)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 46 317 $US
- Durée1 heure 48 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was L'affaire Cicéron (1952) officially released in India in English?
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