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Une biographie fictive de l'artiste français Henri de Toulouse-Lautrec.Une biographie fictive de l'artiste français Henri de Toulouse-Lautrec.Une biographie fictive de l'artiste français Henri de Toulouse-Lautrec.
- Récompensé par 2 Oscars
- 6 victoires et 10 nominations au total
Histoire
Le saviez-vous
- AnecdotesJosé Ferrer was transformed into the short artist Toulouse-Lautrec by the use of camera angles, make-up, costume, concealed pits and platforms, and short body doubles. Ferrer also used a set of special knee pads of his own design which allowed him to walk on his knees with his lower legs strapped to his upper body. He suffered extreme pain and could only use them for short periods of time. The cane he used in most of his scenes was of absolute necessity. This fact was covered in a LIFE Magazine story in 1952.
- GaffesWhen Henri Lautrec arrives at the gallery for the showing of his pictures, as he 'walks' in, his shadow on the ground clearly shows José Ferrer's legs tucked behind him as he walks (on his knees).
- Citations
Jane Avril: Henri, my dear, we just heard you were dying. We simply had to say good-bye.
- Crédits fousThe opening credits play over some of Marcel Vertès's pastiche Lautrec drawings; the photography credits are superimposed over a picture of a photographer, and the music credits over a man playing piano.
- ConnexionsFeatured in The Partridge Family: This Is My Song (1970)
- Bandes originalesWhere is your Heart
(Moulin Rouge)
Music by Georges Auric
French lyrics by Jacques Larue
English lyrics by William Engvick
Performed by Muriel Smith
Commentaire à la une
Whether or not the film accurately portrays the life and personality of Henri de Toulouse-Lautrec correctly, one thing you certainly have to say about "Moulin Rouge" is that it is a gorgeous movie. Not surprisingly, it won two Oscars--for Best Art Direction-Set Decoration, Color and Best Costume Design, Color. I am also a bit surprised it wasn't nominated for Best Cinematography, Color--as the film was exquisitely filmed--giving it a look and color that is second to none. It also received quite a few important nominations--including Best Picture, Best Actor and Best Director (among others). So, it is clearly a standout film for the era. I also suspect that the film might have been overlooked a bit over the years since, as an even more spectacular biopic of a painter, "Lust for Life" gained even more notoriety in 1956. Both films are absolutely gorgeous.
As to the life story of Lautrec, I am far pickier than most because I am a (among other things) a retired history teacher. I look for inaccuracies others might not notice. So, when I see Lautrec brooding CONSTANTLY in the film, I ask why they almost never show him smiling or acting human?! Sure, the real life character was a pathetic man in many ways, but he was a man--a three-dimensional man. Although Jose Ferrer did good in many ways, his performance lacked the fullness of a real man. He got the main and depression quite well--just not anything else. I also think that the film sanitized and over-glamorized Lautrec's relationship with one particular prostitute--whereas the real Lautrec had MANY sexual relationships--many. In the film, however, he hangs out with prostitutes and is quite chaste! Part of this, I am sure, is due to the Production Code. Sure, it was being relaxes in the 1950s--but not THAT much! Overall, a wonderful film but one that isn't perfect--but incredibly beautiful--breathtakingly so. For a great double-feature, try watching this immediately preceding or followed by "Lust for Life".
By the way, I realized why they changed Lautrec's life here and there for dramatic reasons, but he never fell down the steps and broke his legs. The legs actually were very brittle and broke doing much more mundane activities--such as falling out of a chair and breaking one of them. In other words, his genetic problems caused the break and the dwarfism--not some dramatic fall.
As to the life story of Lautrec, I am far pickier than most because I am a (among other things) a retired history teacher. I look for inaccuracies others might not notice. So, when I see Lautrec brooding CONSTANTLY in the film, I ask why they almost never show him smiling or acting human?! Sure, the real life character was a pathetic man in many ways, but he was a man--a three-dimensional man. Although Jose Ferrer did good in many ways, his performance lacked the fullness of a real man. He got the main and depression quite well--just not anything else. I also think that the film sanitized and over-glamorized Lautrec's relationship with one particular prostitute--whereas the real Lautrec had MANY sexual relationships--many. In the film, however, he hangs out with prostitutes and is quite chaste! Part of this, I am sure, is due to the Production Code. Sure, it was being relaxes in the 1950s--but not THAT much! Overall, a wonderful film but one that isn't perfect--but incredibly beautiful--breathtakingly so. For a great double-feature, try watching this immediately preceding or followed by "Lust for Life".
By the way, I realized why they changed Lautrec's life here and there for dramatic reasons, but he never fell down the steps and broke his legs. The legs actually were very brittle and broke doing much more mundane activities--such as falling out of a chair and breaking one of them. In other words, his genetic problems caused the break and the dwarfism--not some dramatic fall.
- planktonrules
- 10 févr. 2013
- Permalien
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- How long is Moulin Rouge?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- John Huston's Production Moulin Rouge
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 500 000 $US (estimé)
- Montant brut mondial
- 3 188 $US
- Durée1 heure 59 minutes
- Rapport de forme
- 1.37 : 1
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By what name was Moulin Rouge (1952) officially released in India in English?
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