NOTE IMDb
6,1/10
6,1 k
MA NOTE
L'écrivain Harry Street réfléchit sur sa vie alors qu'il meurt d'une infection lors d'un safari à l'ombre du mont Kilamanjaro.L'écrivain Harry Street réfléchit sur sa vie alors qu'il meurt d'une infection lors d'un safari à l'ombre du mont Kilamanjaro.L'écrivain Harry Street réfléchit sur sa vie alors qu'il meurt d'une infection lors d'un safari à l'ombre du mont Kilamanjaro.
- Nommé pour 2 Oscars
- 1 victoire et 3 nominations au total
Hildegard Knef
- Countess Liz
- (as Hildegarde Neff)
Vicente Gómez
- Guitarist
- (as Vicente Gomez)
Amanda Ambrose
- Pianist
- (non crédité)
Salvador Baguez
- Stretcher Bearer
- (non crédité)
Charles Bates
- Harry at Seventeen
- (non crédité)
Nina Borget
- Girl
- (non crédité)
Maurice Brierre
- Waiter
- (non crédité)
Arthur Brunner
- Accordion Player
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesIn the scene where Gregory Peck lifts up Ava Gardner, he threw out his knee and production had to close down while he recovered. Unfortunately, all the scenes of his lying down in his sickbed had been shot already.
- GaffesOutside the Hotel Florinda in Madrid during the Spanish Civil War (1936-1939), a 1948-1950 Ford truck is parked facing the camera.
- Citations
Countess Liz: I love you as much as I can.
- ConnexionsEdited from Arènes sanglantes (1941)
- Bandes originalesYou Do Something to Me
(alles war so leer) (uncredited)
Written by Cole Porter
Sung by Hildegard Knef
at the Piano: Amanda Ambrose
Commentaire à la une
The interesting characters and some good performances are what keep this adaptation of Ernest Hemingway's "The Snows of Kilimanjaro" going. Many of the story details reflect the movie's source, although it has a heavier, slower tone instead of Hemingway's own economical style of writing. The scenes of hunting, bull-fighting, and combat all fit in with Hemingway's fascination with vigorous action, and the screenplay does make some use of Hemingway's 'leopard riddle', but not with any significant depth. Instead, it does have a lot of photography of African scenery and wildlife, which is good in itself.
Gregory Peck gives his usual effective performance in the lead role as Harry, a jaded writer who reflects on his past loves as he suffers through the effects of a dangerous injury. Peck fleshes out the character believably, alternating between the writer's energetic but flawed personality in the flashbacks and his increasing delirium in the present. It's a different kind of role for Peck, and he thus adapts his style somewhat from that of his more well- remembered roles.
Ava Gardner and Susan Hayward, along with Hildegarde Neff in a smaller part, portray the women in Harry's past and present. Gardner's ethereal elegance makes a nice contrast with Hayward's stronger screen persona, and Neff's characterization is a believable depiction of the unsuitable woman whom Harry finds during a time of despair.
The characters and the African atmosphere are the parts of the movie that work the best, and they make it worth seeing. It moves rather slowly, and occasionally expends screen time on less interesting material, or otherwise it might have been more compelling. It still leaves you with a thoughtful impression of its main characters.
Gregory Peck gives his usual effective performance in the lead role as Harry, a jaded writer who reflects on his past loves as he suffers through the effects of a dangerous injury. Peck fleshes out the character believably, alternating between the writer's energetic but flawed personality in the flashbacks and his increasing delirium in the present. It's a different kind of role for Peck, and he thus adapts his style somewhat from that of his more well- remembered roles.
Ava Gardner and Susan Hayward, along with Hildegarde Neff in a smaller part, portray the women in Harry's past and present. Gardner's ethereal elegance makes a nice contrast with Hayward's stronger screen persona, and Neff's characterization is a believable depiction of the unsuitable woman whom Harry finds during a time of despair.
The characters and the African atmosphere are the parts of the movie that work the best, and they make it worth seeing. It moves rather slowly, and occasionally expends screen time on less interesting material, or otherwise it might have been more compelling. It still leaves you with a thoughtful impression of its main characters.
- Snow Leopard
- 2 janv. 2006
- Permalien
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- How long is The Snows of Kilimanjaro?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 16 620 $US
- Durée1 heure 54 minutes
- Rapport de forme
- 1.37 : 1
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By what name was Les Neiges du Kilimandjaro (1952) officially released in India in English?
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