Ajouter une intrigue dans votre langueA tough lady gangster learns that she will be totally blind within a week. She seeks help from the one eye surgeon who may be able to save her sight. In the process, he also causes her to ha... Tout lireA tough lady gangster learns that she will be totally blind within a week. She seeks help from the one eye surgeon who may be able to save her sight. In the process, he also causes her to have a change of heart.A tough lady gangster learns that she will be totally blind within a week. She seeks help from the one eye surgeon who may be able to save her sight. In the process, he also causes her to have a change of heart.
- Waiter
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- Maggie - the Hairdresser
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- Telephone Operator
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- Nurse Technician
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- Ned Shaw
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- Dr. Ryan
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- Croupier
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- Gambling House Patron
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- Gambling House Patron
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Histoire
Le saviez-vous
- AnecdotesThe Burbank "mobile home park" seen early in this film was later used as a location for the Lucille Ball and Desi Arnaz vehicle La roulotte du plaisir (1954).
- GaffesAfter bandages are removed from her eyes following ocular surgery performed several weeks earlier, Beth is still wearing perfect eye make-up.
- Citations
Beth Austin: I can answer all your questions, now.
Dr. Ben Halleck: You already have. There was only one answer to every question. Yes, I know why you came back, why you didn't stop to count the cost.
Beth Austin: But I did count it, I want to pay it.
Dr. Ben Halleck: Then remember this, Beth. Remember the day when we took a detour and it led us home? It always will.
Beth Austin: I'll remember. And the prison woman who held your hand with all of her strength because she needed your strength.
[Camera pans down to see them holding hands]
- ConnexionsFeatured in Joan Crawford: The Ultimate Movie Star (2002)
Although not as tightly written as this semi-noir melodrama could be, there are plenty of exciting set pieces that delight the eye and excite the intellect--all the stuff with the trailer pursued by the motorcycle copy is, while totally illogical, fascinating and beautifully filmed, and therein for me lies a major interest in this film--the superb, careful use of the camera with which Warner films could be so effective--brilliant set interiors lit perfectly, whether in the home of a sick child's poor parents, or in an operating room's audience gallery, providing a dazzling set piece finale where everybody get's involved and there's enough shattered glass to build an igloo! Cinematographer Ted McCord is the man behind the camera; he's already lensed Crawford in numerous other films, and is responsible for a rich heritage of classics from The Treasure of The Sierra Madre to The Sound of Music--a dedicated artists, McCord's work could make a meatball look like filet mignon.
A sincere dedication from dozens of Warner contract players contribute to a wide variety of locales--from hospital waiting rooms to trailer parks, prison laundry rooms to doctor's offices, and the film, I think, accurately reflects the ability of a major studio to churn out a decent film every few weeks worthy of watching. This Woman Is Dangerous is no Mildred Pierce or Humoresque, but Joan is still in top form, manages to command attention, and there are few that can suffer as bravely. Well...Kay Francis, maybe..but that's another story.....
- museumofdave
- 16 févr. 2014
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Détails
- Durée1 heure 37 minutes
- Couleur
- Rapport de forme
- 1.37 : 1