L'Étrange Créature du lac noir
Titre original : Creature from the Black Lagoon
- 1954
- Tous publics
- 1h 19min
NOTE IMDb
6,9/10
36 k
MA NOTE
Une bête étrange préhistorique se tapie aux profondeurs de la jungle amazonienne. Un groupe de scientifiques essaie de capturer l'animal afin de le ramener à la civilisation au nom de la rec... Tout lireUne bête étrange préhistorique se tapie aux profondeurs de la jungle amazonienne. Un groupe de scientifiques essaie de capturer l'animal afin de le ramener à la civilisation au nom de la recherche.Une bête étrange préhistorique se tapie aux profondeurs de la jungle amazonienne. Un groupe de scientifiques essaie de capturer l'animal afin de le ramener à la civilisation au nom de la recherche.
- Récompenses
- 2 victoires et 2 nominations au total
Julie Adams
- Kay Lawrence
- (as Julia Adams)
Henry A. Escalante
- Chico
- (as Henry Escalante)
Ricou Browning
- The Gill Man (In Water)
- (non crédité)
Ben Chapman
- The Gill Man (On Land)
- (non crédité)
Art Gilmore
- Narrator
- (voix)
- (non crédité)
Perry Lopez
- Tomas
- (non crédité)
Sydney Mason
- Dr. Matos
- (non crédité)
Rodd Redwing
- Luis
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesForrest J. Ackerman, a horror and science fiction writer for Famous Monsters of Filmland Magazine, bought the mask and claws of the Creature's costume from a young man who had once used them as a Halloween costume. The costume pieces were discarded by Universal after production had finished on the three films (Creature from the Black Lagoon and its two sequels) and were later recovered from the studio's dumpster by a janitor, who thought the ensemble would make a good Halloween costume for his son. Other costume pieces were recently sold at auction by Bud Westmore, who was an assistant to Milicent Patrick, the original designer of the costume.
- GaffesThe Gill-Man destroys the Rita's boats to prevent any escape. Yet, when he kidnaps Kay, David tells Lucas and Prof. Maia to get to the beach entrance of the cave. There are no boats available to go ashore, yet both men arrive to save David and Kay in dry clothes. Indeed, when the Gill-Man staggers out of the beach entrance to the water, there is no boat in sight.
- Versions alternativesA colorized version of the movie also exists.
- ConnexionsFeatured in Son of Svengoolie: Creature from the Black Lagoon (1954) (1980)
Commentaire à la une
While nowhere near as intelligent, thought-provoking and well made as Anderson's brilliant "Incredible Shrinking Man", this is still smarter and more complex than your average monster movie, especially of its era.
This creature is neither tragic hero, nor unstoppable villain. He's just a living being, a prehistoric half-man, half fish, behaving as his evolution has conditioned him, attacking invaders to his Amazonian paradise, attracted to the female human.
The film is full of mind numbing exposition, mediocre acting, low production values and heavy handed staking out of its ethical positions; the humanistic scientist that wants to study and understand the creature versus the base desires of the expedition's financier who wants to kill the thing and bring it back to the world as a trophy.
But there are sequence of power and even poetry, as the creature swims silently beneath the team's female scientist (and eye candy). There are moments her that Spielberg would echo in "Jaws" years later, but here the threat is more eerie and complex than terrifying. And watching the creature pathetically gasp for breath like a fish out of water is a sad and strong image (actually, a lot of the creature's movements, especially under water, are surprisingly convincing as something other than a man in a latex suit).
While not, for me, the classic some see it as, it's still a solid cut above the dumb Saturday afternoon entertainment that has lead to our forgetting most of its cinematic cousins, but keeping this creature alive.
This creature is neither tragic hero, nor unstoppable villain. He's just a living being, a prehistoric half-man, half fish, behaving as his evolution has conditioned him, attacking invaders to his Amazonian paradise, attracted to the female human.
The film is full of mind numbing exposition, mediocre acting, low production values and heavy handed staking out of its ethical positions; the humanistic scientist that wants to study and understand the creature versus the base desires of the expedition's financier who wants to kill the thing and bring it back to the world as a trophy.
But there are sequence of power and even poetry, as the creature swims silently beneath the team's female scientist (and eye candy). There are moments her that Spielberg would echo in "Jaws" years later, but here the threat is more eerie and complex than terrifying. And watching the creature pathetically gasp for breath like a fish out of water is a sad and strong image (actually, a lot of the creature's movements, especially under water, are surprisingly convincing as something other than a man in a latex suit).
While not, for me, the classic some see it as, it's still a solid cut above the dumb Saturday afternoon entertainment that has lead to our forgetting most of its cinematic cousins, but keeping this creature alive.
- runamokprods
- 12 oct. 2014
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El monstruo de la laguna negra
- Lieux de tournage
- Wakulla Springs, Floride, États-Unis(underwater scenes)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 1 404 $US
- Durée1 heure 19 minutes
- Couleur
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By what name was L'Étrange Créature du lac noir (1954) officially released in India in Hindi?
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