NOTE IMDb
7,5/10
42 k
MA NOTE
Les essais d'armes nucléaires américains ont engendré la création d'une créature qui ressemble à un dinosaure, que rien ne semble pouvoir arrêter.Les essais d'armes nucléaires américains ont engendré la création d'une créature qui ressemble à un dinosaure, que rien ne semble pouvoir arrêter.Les essais d'armes nucléaires américains ont engendré la création d'une créature qui ressemble à un dinosaure, que rien ne semble pouvoir arrêter.
- Récompenses
- 4 victoires et 2 nominations au total
Kokuten Kôdô
- The Old Fisherman
- (as Kuninori Kôdô)
Histoire
Le saviez-vous
- AnecdotesAn often-repeated myth is that the productions of both this film and Les 7 Samouraïs (1954) nearly drove Toho into bankruptcy. This neglects to mention a third Toho film made that year, La Légende de Musashi (1954). All three of them were the most expensive Japanese films made up to that point and big financial risks for Toho. However, there is little evidence to suggest that Toho was ever at risk for bankruptcy. Toho released a total of 68 feature films that year, the most successful of which were "Seven Samurai", "Samurai I: Musashi Miyamoto", and "Godzilla", in that order.
- GaffesSeveral characters in the film, including Dr. Yamane, Japan's leading paleontologist, insist that the Jurassic Period was 2 million years ago. This is off by 143.5 million years.
- Citations
[last lines]
Dr. Kyohei Yamane: I can't believe that Godzilla was the last of his species. If nuclear testing continues, then someday, somewhere in the world, another Godzilla may appear.
- Versions alternativesIn the scene where Godzilla destroys the train, shots of terrified people watching were cut from the U.S. version of the film.
- ConnexionsEdited into Le Retour de Godzilla (1955)
- Bandes originalesPrayer for Peace
(uncredited)
Performed by students of the Toho High School of Music
Lyrics by Shigeru Kayama
Composed by Akira Ifukube
Commentaire à la une
First we had King Kong (1933), one of the most important and first large monster films, than we had giant insects... the point in which you thought that all large monster films are gonna die... but, no worries, Japanese are always there to save the day. Godzilla (1954), is bigger, badder, better, meaner, faster, and more artistic than any other monster films. It's the movie that sets some new standards.
The film was based upon the story of Shigeru Kayama "Gojira" from the words "gorilla" and "kujira" (whale). It's without any doubt one of the most significant SF films in Japanese cinema, and we have a proved fact that this movie has a large number of sequels, a US remake, an animated series and we are expecting something new. This movie of Inoshiro Honda is based upon foundation of already tried stories: A large monster suddenly comes alive, and it's growing in catastrophe for human civilization. You can easily say that the story motives are the same just like in the Frankenstein (1932), for example... But Japanese view of these thing is different. Godzilla is not appearing for some purpose, he is there only for the plot, he is an unstoppable, blind force ready for destruction, and there's also a human's error of his interfere in nature, so by the looks of things, the large monster is some kind of "payback" from mother nature.
The movie has good acting crew, excellent direction, an inspiring and brilliant music score by Akira Ifukube, who also made Godzilla roars, the special effects were also great, done by Eiiji Tsuburaya. And from this moment, this movie is a great inspiration to many more monster films... we are expecting more today.
The film was based upon the story of Shigeru Kayama "Gojira" from the words "gorilla" and "kujira" (whale). It's without any doubt one of the most significant SF films in Japanese cinema, and we have a proved fact that this movie has a large number of sequels, a US remake, an animated series and we are expecting something new. This movie of Inoshiro Honda is based upon foundation of already tried stories: A large monster suddenly comes alive, and it's growing in catastrophe for human civilization. You can easily say that the story motives are the same just like in the Frankenstein (1932), for example... But Japanese view of these thing is different. Godzilla is not appearing for some purpose, he is there only for the plot, he is an unstoppable, blind force ready for destruction, and there's also a human's error of his interfere in nature, so by the looks of things, the large monster is some kind of "payback" from mother nature.
The movie has good acting crew, excellent direction, an inspiring and brilliant music score by Akira Ifukube, who also made Godzilla roars, the special effects were also great, done by Eiiji Tsuburaya. And from this moment, this movie is a great inspiration to many more monster films... we are expecting more today.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Japón bajo el terror del monstruo
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 175 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 562 711 $US
- Week-end de sortie aux États-Unis et au Canada
- 38 030 $US
- 9 mai 2004
- Montant brut mondial
- 590 389 $US
- Durée1 heure 36 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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