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MA NOTE
Trois soldats se retrouvent à New York dix ans après leurs dernières retrouvailles et se rendent compte qu'ils ont maintenant très peu de choses en commun.Trois soldats se retrouvent à New York dix ans après leurs dernières retrouvailles et se rendent compte qu'ils ont maintenant très peu de choses en commun.Trois soldats se retrouvent à New York dix ans après leurs dernières retrouvailles et se rendent compte qu'ils ont maintenant très peu de choses en commun.
- Nommé pour 2 Oscars
- 3 nominations au total
David Ahdar
- Dancing Boxer
- (non crédité)
Betty Arlen
- Girl
- (non crédité)
Phil Arnold
- Butch - Assistant at Stillman's Gym
- (non crédité)
Sybil Bacon
- Woman on Skates
- (non crédité)
Walter Bacon
- Bartender
- (non crédité)
Jimmy Baird
- Child Dancer
- (non crédité)
Tom Bernard
- Page
- (non crédité)
Rodney Bieber
- Dancing Boxer
- (non crédité)
Madge Blake
- Mrs. Stamper
- (non crédité)
Willie Bloom
- Bar Patron
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesGene Kelly bought the roller skates for the "I Like Myself" number down the block from his house at Pioneer Hardware on Beverly Drive. He also mentioned that the skates were not altered in any way; they weren't locked to his shoes, so when he tapped in them, he had no help.
- GaffesIn the 1945-1955 montage, the shot of the 1953 New Years Eve crowds at Times Square shows Crépuscule (1941) at the Criterion Theatre, so it's obviously New Years Eve 1941-1942 footage.
- Citations
Doug Hallerton: There must be some more dignified way to sell Klenzrite... like you, taking a bath in it, stark naked in Macy's window.
- ConnexionsEdited into American Masters: Gene Kelly: Anatomy of a Dancer (2002)
- Bandes originalesMarch, March
(1955) (uncredited)
Music by André Previn
Lyrics by Betty Comden and Adolph Green
Performed by Gene Kelly, Michael Kidd (dubbed by Jud Conlon) and Dan Dailey
Commentaire à la une
Keep in mind that the era of the movie musical was pretty much in the dust when IT'S ALWAYS FAIR WEATHER hit the screens in 1955. Yet the story is an odd hybrid for benign musicals, and a rather dark story of three GI's coming home from the war, vowing a loyal, buddy-buddy reunion, then, upon reuniting years later, realizing they have outgrown one another and have virtually nothing in common. There is a reunion dinner at a posh nightclub, and try as they might, hostility and acrimony flare up among the men as they gradually discern they have now little in common. The movie also teams Dan Daily and Michael Kyd with Kelly, a Grade A, winning combination for the few, but excellent numbers, they perform.
However, this movie should be seen for one and one reason only: Gene Kelly's dance on roller skates to one of the most beautiful tunes ever written by Comden and Green. As the story goes, Kelly had been searching for just the right opportunity to dance on skates in a film for years. Betty Comden has said she lived close to Kelly in Beverly Hills and that he had purchased skates years before at a hardware store near-by and that she'd watched Kelly take his daughter skating many times. It's not a stretch that Kelly spent a lot of hours imagining just where and when he'd do a roller skates number as he flew around Beverly Hills on wheels.
Another delight is the very robust and creative "trash can lids" number featuring Kelly, Dan Daily, and Michael Kyd. With a trash can lid stuck to one foot, the trio bounce up and down a street to a snappy melody while still in uniform. For those who thought lanky Dan Daily was "just another hoofer," this number proves he could hold his own with the best of them.
I have heard Comden and Green also relate the story that after the movie opened someone told them they had seen the film in a drive-in. "I knew that the end had come," (for the movie musical) commented Adolf Green.
IT'S ALWAYS FAIR WEATHER is very much worth seeing for being one of the last studio movie musicals of its kind. Moreover, the novelty of watching Kelly teamed with Dan Daily and Michael Kyd--the only time those three dancers appeared together--is supremely enoyable. IT'S ALWAYS FAIR WEATHER remains underrated to this day and serves as one of the final signposts for the demise of the great screen musical.
Dennis Caracciolo
However, this movie should be seen for one and one reason only: Gene Kelly's dance on roller skates to one of the most beautiful tunes ever written by Comden and Green. As the story goes, Kelly had been searching for just the right opportunity to dance on skates in a film for years. Betty Comden has said she lived close to Kelly in Beverly Hills and that he had purchased skates years before at a hardware store near-by and that she'd watched Kelly take his daughter skating many times. It's not a stretch that Kelly spent a lot of hours imagining just where and when he'd do a roller skates number as he flew around Beverly Hills on wheels.
Another delight is the very robust and creative "trash can lids" number featuring Kelly, Dan Daily, and Michael Kyd. With a trash can lid stuck to one foot, the trio bounce up and down a street to a snappy melody while still in uniform. For those who thought lanky Dan Daily was "just another hoofer," this number proves he could hold his own with the best of them.
I have heard Comden and Green also relate the story that after the movie opened someone told them they had seen the film in a drive-in. "I knew that the end had come," (for the movie musical) commented Adolf Green.
IT'S ALWAYS FAIR WEATHER is very much worth seeing for being one of the last studio movie musicals of its kind. Moreover, the novelty of watching Kelly teamed with Dan Daily and Michael Kyd--the only time those three dancers appeared together--is supremely enoyable. IT'S ALWAYS FAIR WEATHER remains underrated to this day and serves as one of the final signposts for the demise of the great screen musical.
Dennis Caracciolo
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- How long is It's Always Fair Weather?Alimenté par Alexa
Détails
Box-office
- Budget
- 2 771 000 $US (estimé)
- Montant brut mondial
- 1 309 $US
- Durée1 heure 41 minutes
- Couleur
- Rapport de forme
- 2.55 : 1
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By what name was Beau fixe sur New York (1955) officially released in India in English?
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