Anastasia
- 1956
- Tous publics
- 1h 45min
NOTE IMDb
7,0/10
9,6 k
MA NOTE
Un homme d'affaires opportuniste essaie de faire passer une mystérieuse imposteure pour la grande-duchesse Anastasia. Elle est si convaincante que même les plus grands sceptiques la croient.Un homme d'affaires opportuniste essaie de faire passer une mystérieuse imposteure pour la grande-duchesse Anastasia. Elle est si convaincante que même les plus grands sceptiques la croient.Un homme d'affaires opportuniste essaie de faire passer une mystérieuse imposteure pour la grande-duchesse Anastasia. Elle est si convaincante que même les plus grands sceptiques la croient.
- Récompensé par 1 Oscar
- 7 victoires et 6 nominations au total
Sacha Pitoëff
- Piotr Ivanovich Petrovin
- (as Sacha Pitoeff)
Grégoire Gromoff
- Stepan
- (as Gregoire Gromoff)
Ina De La Haye
- Marusia
- (as Ina de la Haye)
John Adams
- Servant
- (non crédité)
Paul Beradi
- Man in Bar
- (non crédité)
Paul Bildt
- Bit Part
- (non crédité)
Newton Blick
- Maître d'
- (non crédité)
Ernest Blyth
- Ballet Patron
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesAt the time of filming, those at Fox were not aware that the real Anna Anderson was still alive. After this came to their attention, they flew to her home in Germany and asked permission to use her name. It should be noted that, in the film, the full name "Anna Anderson" is never used, although "Mrs. Anderson" is briefly employed as an incognito in the later stages of the story.
- GaffesWhile on the train to Copenhagen, Anna, studying a photograph of the fictional Prince Paul, can't remember how old she was when she was engaged to him. Bounine answers, "Sixteen."
In reality, neither the Grand Duchess Anastasia nor any of her three sisters were ever engaged.
- Crédits fousOpening credits prologue: PARIS 1928
RUSSIAN EASTER
- ConnexionsFeatured in Concept (1964)
Commentaire à la une
As the woman who may or may not have been the Grand Duchess Anastastia, Ingrid Bergman was welcomed back with open arms by the Hollywood fraternity that had spurned her after her affair with Roberto Rossellini and she won her second Oscar for her performance. It is a fine piece of acting in a film that is all about acting; (Bergman plays a woman called Anna Koreff who is being groomed to pass as the Grand Duchess, though it is no "Pygmalion" as she may well indeed have been the person she is being hired 'to play', though DNA tests later proved the woman in question was not Anastasia).
Yul Brynner is the Russian general who acts as her Professor Higgins and he's excellent. The same year he won an Oscar for "The King and I" but his performance here is just as good. Helen Hayes is superb as the Dowager Empress and there is a terrific turn from the great Martita Hunt as the Empress' lady-in-waiting. Anatole Litvak's direction isn't exciting in 'cinematic' terms but he knows he has a good yarn and he moves it along at a cracking pace. Between them, Bergman, Brynner and Litvak hold you in thrall.
Yul Brynner is the Russian general who acts as her Professor Higgins and he's excellent. The same year he won an Oscar for "The King and I" but his performance here is just as good. Helen Hayes is superb as the Dowager Empress and there is a terrific turn from the great Martita Hunt as the Empress' lady-in-waiting. Anatole Litvak's direction isn't exciting in 'cinematic' terms but he knows he has a good yarn and he moves it along at a cracking pace. Between them, Bergman, Brynner and Litvak hold you in thrall.
- MOscarbradley
- 22 avr. 2006
- Permalien
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Détails
Box-office
- Budget
- 3 520 000 $US (estimé)
- Durée1 heure 45 minutes
- Couleur
- Rapport de forme
- 2.55 : 1
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