Hamlet
- 1948
- Tous publics
- 2h 34min
Le prince Hamlet est aux prises avec la question de savoir s'il doit ou non tuer son oncle, qu'il soupçonne d'avoir assassiné son père, l'ancien roi.Le prince Hamlet est aux prises avec la question de savoir s'il doit ou non tuer son oncle, qu'il soupçonne d'avoir assassiné son père, l'ancien roi.Le prince Hamlet est aux prises avec la question de savoir s'il doit ou non tuer son oncle, qu'il soupçonne d'avoir assassiné son père, l'ancien roi.
- Récompensé par 4 Oscars
- 16 victoires et 6 nominations au total
- Undetermined Secondary Role
- (non crédité)
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Histoire
Le saviez-vous
- AnecdotesWhen the movie was released, Sir Laurence Olivier said it had been filmed in black and white for artistic reasons. The true reason, as he later admitted, was that "I was in the middle of a furious row with Technicolor".
- GaffesA clock is heard chiming the half-hour in Westminster chimes. If chiming clocks were invented at the time of the action they wouldn't sound the Westminster chimes which date only - as the name suggests - from the installation of the Big Ben clock in 1859.
- Citations
Hamlet, Prince of Denmark: To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer the slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to, 'tis a consummation Devoutly to be wish'd. To die, to sleep; To sleep: perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause: there's the respect That makes calamity of so long life; For who would bear the whips and scorns of time, The oppressor's wrong, the proud man's contumely, The pangs of despised love, the law's delay, The insolence of office and the spurns That patient merit of the unworthy takes, When he himself might his quietus make With a bare bodkin? Who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all; And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry, And lose the name of action.
- Crédits fousOpening credits prologue:
So oft it chances in particular men That through some vicious mole of nature in them, By the o'ergrowth of some complexion Oft breaking down the pales and forts of reason, Or by some habit grown too much; that these men - Carrying, I say, the stamp of one defect, Their virtues else - be they as pure as grace, Shall in the general censure take corruption From that particular fault.
- ConnexionsEdited into Histoire(s) du cinéma: Une vague nouvelle (1999)
Hamlet is one of the most complex and fascinating characters ever created, and no two great actors ever play him quite the same way. Olivier portrays him primarily as "a man who could not make up his mind", and his fine and often subtle acting brings to his role a deep understanding of his character's inner struggles and dilemmas, both moral and practical. He renders Hamlet's most famous lines in a distinctive way that reveal the many possible paths in Hamlet's future. It is a performance not to be forgotten.
If Olivier the actor is masterful, Olivier the director is good but not perfect. A great deal of Shakespeare's text was eliminated, getting the running time down to 2 1/2 hours, but even so there are times when the movie seems rather slow-moving, especially in the first hour or so. Most of the cuts involve interactions with the minor characters, and some of the original play's minor roles are cut completely out of the film. The result is to concentrate the emphasis even further on Hamlet himself and on his pessimistic meditations. While this enables Olivier's fine acting to become even more prominent, it does eliminate some very interesting portions of the story whose absence will be regretted by those viewers who love the play.
Olivier does add some good touches, though. He emphasizes the somber tone with numerous tracking shots of the castle's gloomy corridors and staircases. The filming of the famous sequence of events at the end is very good, and is much livelier than the rest.
While this is probably not the very best interpretation of the play "Hamlet", it is as good an interpretation of the character Hamlet as you will ever see. For that reason alone it is must viewing for any fan of Shakespeare or of Olivier.
- Snow Leopard
- 22 mai 2001
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Гамлет
- Lieux de tournage
- D&P Studios, Denham, Uxbridge, Buckinghamshire, Angleterre, Royaume-Uni(studio: made at D&P Studios)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 500 000 £GB (estimé)
- Durée2 heures 34 minutes
- Couleur
- Rapport de forme
- 1.37 : 1