NOTE IMDb
6,8/10
2,2 k
MA NOTE
Ajouter une intrigue dans votre langueFugitive Bill Saunders and lonely nurse Jane Wharton are crossed by fate when he hides out in her apartment.Fugitive Bill Saunders and lonely nurse Jane Wharton are crossed by fate when he hides out in her apartment.Fugitive Bill Saunders and lonely nurse Jane Wharton are crossed by fate when he hides out in her apartment.
Leyland Hodgson
- Tipster
- (as Leland Hodgson)
Peter Hobbes
- Young Father
- (as Peter Forbes)
Harry Allen
- Drunk
- (non crédité)
Jimmy Aubrey
- Taxi Driver
- (non crédité)
Timothy Bruce
- Boy Child
- (non crédité)
George Bunny
- Bookie
- (non crédité)
Melinda Byron
- Girl Child
- (non crédité)
Valerie Cardew
- Change Girl
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesPenicillin only recently had been introduced, proving to be a life-saving drug in WW2. In postwar Europe, the continent was still in shambles, with a huge black market for everyday necessities, including medicine. The noir classic Le Troisième Homme (1949) would further show the shadowy world of medical profiteering.
- GaffesThe story takes place in England, where automobiles and trucks are right-hand drive; the truck Bill drives is left-hand drive. Caveat: There were many U.S. Army vehicles like this left in the U.K. after the war. This one looks like it could have been used in the war as an ambulance as it appears to be a Dodge WC-series 1/2-ton model. Other vehicles in the film are left-hand drive.
- ConnexionsFeatured in Pulp Cinema (2001)
Commentaire à la une
Kiss the Blood Off My Hands (1948)
This is a surprisingly vivid movie. Some will find the plot a little canned, a vehicle for quick appeal, not quite a B movie enterprise. But I enjoyed so much the two leads--Joan Fontaine as ever luminous and sympathetic, Burt Lancaster in his tough yet lovable best--I loved the whole movie. Furthermore it is photographed, mostly at night, with amazing fluidity and drama, another high point in the film noir style.
Though this is a British-feeling movie set in London, it is topped out with American actors and directed by an American, too. It is a great example of that American archetype known as film noir. It even has the standard core of the best of them, a returning soldier struggling to make sense of normal life. Lancaster has a past that includes two years in a Nazi prison camp. He has the mental scars to show for it (as the text at the beginning explains needlessly for the time, but maybe helpfully for a viewer now).
It is the at first highly unlikely but increasingly plausible relationship between two lonely people that commands the movie. The less compelling plot line of a somewhat stereotypical blackmailer and the associated crimes is handled well in each case, though more about action than psychological depth. You get frustrated when Lancaster never tells Fontaine what is going on in his shady moments, but that's part of his problem and we are to go along. He trusts no one for good reason.
The finale? A bit hasty, maybe, the way that other famous Fontaine thriller is ("Suspicion"), but it's satisfying, too, and not quite a "Hollywood" ending.
The director is little known Norman Foster, who made a bunch of Charlie Chan and Mr. Moto films in the 1930s, and the quite good "Rachel and the Stranger." Another example of how teamwork lifts even less inspired aspects higher. This has a great cast, excellent music (by the dependable romantic whiz Miklos Rozsa), and great filming (with Russell Metty behind the camera).
The hardest thing about this film is finding it. I bought a really lousy DVD copy of a lousy tape made years ago off an AMC broadcast, and even so it was terrific watching, visually. It has been broadcast on TCM and I think their version would be superior, if you can find someone who has copied it (legality aside, though it might be past copyright).
It's not a masterpiece of a film, but it looks so darned good it should be released in full Blu-Ray and now. Meanwhile, happy hunting for a better copy than mine. It's worth it!
This is a surprisingly vivid movie. Some will find the plot a little canned, a vehicle for quick appeal, not quite a B movie enterprise. But I enjoyed so much the two leads--Joan Fontaine as ever luminous and sympathetic, Burt Lancaster in his tough yet lovable best--I loved the whole movie. Furthermore it is photographed, mostly at night, with amazing fluidity and drama, another high point in the film noir style.
Though this is a British-feeling movie set in London, it is topped out with American actors and directed by an American, too. It is a great example of that American archetype known as film noir. It even has the standard core of the best of them, a returning soldier struggling to make sense of normal life. Lancaster has a past that includes two years in a Nazi prison camp. He has the mental scars to show for it (as the text at the beginning explains needlessly for the time, but maybe helpfully for a viewer now).
It is the at first highly unlikely but increasingly plausible relationship between two lonely people that commands the movie. The less compelling plot line of a somewhat stereotypical blackmailer and the associated crimes is handled well in each case, though more about action than psychological depth. You get frustrated when Lancaster never tells Fontaine what is going on in his shady moments, but that's part of his problem and we are to go along. He trusts no one for good reason.
The finale? A bit hasty, maybe, the way that other famous Fontaine thriller is ("Suspicion"), but it's satisfying, too, and not quite a "Hollywood" ending.
The director is little known Norman Foster, who made a bunch of Charlie Chan and Mr. Moto films in the 1930s, and the quite good "Rachel and the Stranger." Another example of how teamwork lifts even less inspired aspects higher. This has a great cast, excellent music (by the dependable romantic whiz Miklos Rozsa), and great filming (with Russell Metty behind the camera).
The hardest thing about this film is finding it. I bought a really lousy DVD copy of a lousy tape made years ago off an AMC broadcast, and even so it was terrific watching, visually. It has been broadcast on TCM and I think their version would be superior, if you can find someone who has copied it (legality aside, though it might be past copyright).
It's not a masterpiece of a film, but it looks so darned good it should be released in full Blu-Ray and now. Meanwhile, happy hunting for a better copy than mine. It's worth it!
- secondtake
- 10 janv. 2013
- Permalien
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- How long is Kiss the Blood Off My Hands?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Kiss the Blood Off My Hands
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 100 000 $US (estimé)
- Durée1 heure 19 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Les amants traqués (1948) officially released in India in English?
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