NOTE IMDb
7,6/10
8 k
MA NOTE
Ajouter une intrigue dans votre langueIn Depression-era New York, an impoverished painter has a chance encounter with an enigmatic, old-fashioned little girl in Central Park who inspires him and changes his destiny.In Depression-era New York, an impoverished painter has a chance encounter with an enigmatic, old-fashioned little girl in Central Park who inspires him and changes his destiny.In Depression-era New York, an impoverished painter has a chance encounter with an enigmatic, old-fashioned little girl in Central Park who inspires him and changes his destiny.
- Récompensé par 1 Oscar
- 2 victoires et 2 nominations au total
Robin Bryant
- Woman
- (non crédité)
Robert Dudley
- Another Old Mariner
- (non crédité)
John Farrell
- Policeman
- (non crédité)
Anne Francis
- Teenager in Art Gallery
- (non crédité)
Brian Keith
- Ice-Skating Extra
- (non crédité)
Nancy Olson
- Teenager in Art Gallery
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesProducer David O. Selznick initially considered filming this movie over a period of several years, casting a young actress in the role of Jennie and shooting portions of the film over time as the actress grew older in real life. (Shirley Temple, then under contract to Selznick, was reportedly intended for the role, had the movie been filmed that way.) In the end, however, Selznick abandoned the idea as too risky and difficult to film properly.
- GaffesDuring Eben's conversation with Pete, it becomes clear that Pete's moustache is fake when it starts to come away from his face.
- Citations
Jennie Appleton: There is no life, my darling, until you love and have been loved. And then there is no death.
- Crédits fousNo credits at all are shown at the beginning except for the studio logo, not even the title of the film. Instead, we hear a narrator speaking the prologue, and then announcing, "And now, 'Portrait of Jennie'". The credits are saved for the end of the picture.
- Versions alternativesOriginally, all television prints were completely in black-and-white, but by the 1980s the shot of the portrait at the very end was again shown in color. More recently, though, the greenish tint used in the storm scene (lasting about ten minutes) was also restored. Numerous sources, most notably "Leonard Maltin's Movie and Video Guide," have stated that the final reel, save for that color shot, was green, but it was the storm sequence alone, regardless of where it falls on the reels. While the 1990 CBS/Fox VHS release returned to black-and-white for the two scenes between the storm sequence and the painting-shot, the version currently shown on Turner Classic Movies has them in sepia tint. Which accurately reflects the original theatrical prints is undetermined, but both have the end titles in sepia.
- ConnexionsFeatured in Hollywood: The Selznick Years (1969)
Commentaire à la une
This movie has quite a lot going for it.
First of all, it is beautifully photographed - at times it looks as though you are watching a portrait moving. The acting is all terrific - Joseph Cotten is perfect as a down-on-his-luck artist who begins by selling a print to Cecil Kellaway and Ethel Barrymore. They encourage him to draw people rather than the still life pictures he'd been doing. He eventually runs into Jennie in Central Park and she intrigues him, to say the least. She mentions places and times that have long passed and sings a song that he cannot forget. The next time he runs into her she's grown up a little, then every time they see one another she'd matured more and more. They normally see each other in Central Park but he does her portrait and its a masterpiece.
Movie is very unconventional for its time - there are no opening credits, the end credits are listed as "The actors are Jennifer Jones, etc., The Supporting Actors are Ethel Barrymore, etc."; a black woman is used as an actual character rather than some sort of domestic; and its not all wrapped up in a pretty bow at the end. It might seem wordy and silly to some, but I really loved it.
I've admired Jennifer Jones since seeing "The Song of Bernadette" as a kid. Aside from that movie and "Beat the Devil", unfortunately I haven't seen a lot of her movies that seemed up to her talent. In this, she is exceptionally good and its not just a showcase for her talents put on screen by David O. Selznick - in reality, she's in it far less than Cotten.
I understand the movie won an Oscar for the special effects, which are good but I didn't need them to love the movie. 9/10.
First of all, it is beautifully photographed - at times it looks as though you are watching a portrait moving. The acting is all terrific - Joseph Cotten is perfect as a down-on-his-luck artist who begins by selling a print to Cecil Kellaway and Ethel Barrymore. They encourage him to draw people rather than the still life pictures he'd been doing. He eventually runs into Jennie in Central Park and she intrigues him, to say the least. She mentions places and times that have long passed and sings a song that he cannot forget. The next time he runs into her she's grown up a little, then every time they see one another she'd matured more and more. They normally see each other in Central Park but he does her portrait and its a masterpiece.
Movie is very unconventional for its time - there are no opening credits, the end credits are listed as "The actors are Jennifer Jones, etc., The Supporting Actors are Ethel Barrymore, etc."; a black woman is used as an actual character rather than some sort of domestic; and its not all wrapped up in a pretty bow at the end. It might seem wordy and silly to some, but I really loved it.
I've admired Jennifer Jones since seeing "The Song of Bernadette" as a kid. Aside from that movie and "Beat the Devil", unfortunately I haven't seen a lot of her movies that seemed up to her talent. In this, she is exceptionally good and its not just a showcase for her talents put on screen by David O. Selznick - in reality, she's in it far less than Cotten.
I understand the movie won an Oscar for the special effects, which are good but I didn't need them to love the movie. 9/10.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Portrait of Jennie
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 041 000 $US (estimé)
- Durée1 heure 26 minutes
- Rapport de forme
- 1.33 : 1
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By what name was Le portrait de Jennie (1948) officially released in India in English?
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