L'héritage de la chair

Elia Kazan took over the helm of PINKY when John Ford requested replacement as having no real interest in the story. He not only took over, but he did a superb job.

Personally, it took awhile for me to get over the idea of casting JEANNE CRAIN as a light-skinned black, but she does some of her best work here. Same can be said of Ethel Waters and Ethel Barrymore, and not surprisingly, all three actresses were nominated for Oscars. Undoubtedly, all benefited by Kazan's firm direction.

The story is essentially written to show the racial bigotry that existed (and still does) in many parts of the South. Without going into plot development, let's say the ending is a bit predictable, but the film still remains powerful and sensitive in its treatment of the subject matter.

In 1949, this was a daring film for Fox to make, risking the possibility of hurting the reputation of its most popular box-office star at that time, Jeanne Crain. But credit goes to Darryl F. Zanuck for permitting his studio to make films like THE SNAKE PIT and GENTLEMAN'S AGREEMENT, risky and controversial. The box-office results and critical acclaim justified the risk.

Well worth seeing, absorbing and sensitive.