Les affres émotionnelles et les inquiétudes financières et organisationnelles d'un père de famille, à la veille du mariage de sa fille.Les affres émotionnelles et les inquiétudes financières et organisationnelles d'un père de famille, à la veille du mariage de sa fille.Les affres émotionnelles et les inquiétudes financières et organisationnelles d'un père de famille, à la veille du mariage de sa fille.
- Nommé pour 3 Oscars
- 5 nominations au total
Russ Tamblyn
- Tommy Banks
- (as Rusty Tamblyn)
Richard Alexander
- Moving Man with Screen
- (non crédité)
Don Anderson
- Usher
- (non crédité)
William Bailey
- Man in Dream Sequence
- (non crédité)
Fay Baker
- Miss Bellamy
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesSpencer Tracy wanted Katharine Hepburn for his screen wife, but it was felt that they were too romantic a team to play a happily domesticated couple with children, so Joan Bennett got the part.
- GaffesWhen the Banks are driving to meet Buckley's parents, Ellie says they are looking for the house numbered 394. When they get to the destination, the number on the house is 709.
- Citations
Stanley T. Banks: Who giveth this woman? "This woman." But she's not a woman. She's still a child. And she's leaving us. What's it going to be like to come home and not find her? Not to hear her voice calling "Hi, Pops" as I come in? I suddenly realized what I was doing. I was giving up Kay. Something inside me began to hurt.
- ConnexionsEdited into Hollywood: The Dream Factory (1972)
Commentaire à la une
This is Spencer Tracy's movie all the way, and that was a good choice. He is excellent as the eponymous, point-of-view character and narrator. He is a bit past his prime as a romantic lead, so being the father character fit him well. Elizabeth Taylor's part was not really all that large, but her beauty was undeniable.
This film's release date is 1950, which brings to mind (to me) that it was only five years removed from the war, tough times for everyone, but this goes unmentioned in the film. Perhaps audiences then did not care to be reminded too much of wounds so fresh.
So, while not at all an uproarious comedy, it carried a wry wit throughout. Pretty good film.
This film's release date is 1950, which brings to mind (to me) that it was only five years removed from the war, tough times for everyone, but this goes unmentioned in the film. Perhaps audiences then did not care to be reminded too much of wounds so fresh.
So, while not at all an uproarious comedy, it carried a wry wit throughout. Pretty good film.
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 8 838 592 $US
- Durée1 heure 32 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Le Père de la mariée (1950) officially released in India in English?
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