NOTE IMDb
6,4/10
648
MA NOTE
Ajouter une intrigue dans votre langueA mother and daughter compete over the same singing role and, unbeknownst to each other, the same man.A mother and daughter compete over the same singing role and, unbeknownst to each other, the same man.A mother and daughter compete over the same singing role and, unbeknownst to each other, the same man.
Jean Andren
- Party Guest
- (non crédité)
Carlos Barbe
- South American Man
- (non crédité)
Leon Belasco
- Professor Gama
- (non crédité)
Nita Bieber
- Specialty Dancer
- (non crédité)
Irene Booth
- Party Guest
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThis is a remake of the Deanna Durbin film La douce illusion (1940). Both films were produced by Joe Pasternak, and in both the young star --- Jane Powell in this version --- sings "Musetta's Waltz" from Giacomo Puccini's opera "La Boheme."
- GaffesAt dinner Nancy is advised to take calcium to prevent scurvy. Scurvy is caused by a Vitamin C deficiency, not a calcium deficiency, and takes 2-3 months to develop.
- Citations
Paul Berten: He double-crossed me, hit me when I was looking.
- Crédits fousMiss Miranda accompanied by Bando da Lua
- Versions alternativesA whole musical number, "Mention My Name In Sheboygan," performed by Jane Powell and Scotty Beckett, was ultimately cut from the final film. Clips of this scene are still in existence.
- ConnexionsFeatured in That's Entertainment! III (1994)
- Bandes originalesTime and Time Again
Written by Fred Spielman and Earl K. Brent
Performed by Ann Sothern (uncredited) and Danny Scholl (uncredited)
Commentaire à la une
Sidney Sheldon wrote the screenplay based on an earlier film that starred Deanna Durbin, but this time tedium sets in rather early. In short, it's an uninspired remake designed to bring bubbly JANE POWELL, ANN SOTHERN, CARMEN MIRANDA, BARRY SULLIVAN and LOUIS CALHERN together for what is supposed to be a light-hearted romp.
For a musical, there is too long a gap between dialog and songs and none of the songs are especially memorable. The sets are opulent, the costumes are tastefully designed with no expense spared on wardrobe, and the color is splendid. But the story is the one about a mother and daughter actress team who are both in love with the same man, unknown to each other, until the plot complications are straightened out.
Whatever sparkle there was to the original B&W film has been dampened by a dull script, slow-paced direction and some coy performances from Sothern and Powell. Powell postures as a would-be actress but her artificial poses are contrived and obvious which makes Sullivan suspecting that she's a girl "in trouble" (when she's really rehearsing a part) seem a strain on credibility.
Both Sothern and Powell are given the usual MGM glossy close-up treatment, but the silly plot defeats everyone.
Rio is strictly a fabrication on an MGM sound stage. Only CARMEN MIRANDA's lively musical contributions make watching this worthwhile. That, and a nice, understated, low-key performance from the always reliable BARRY SULLIVAN saves the comic moments from being downright foolish.
For a musical, there is too long a gap between dialog and songs and none of the songs are especially memorable. The sets are opulent, the costumes are tastefully designed with no expense spared on wardrobe, and the color is splendid. But the story is the one about a mother and daughter actress team who are both in love with the same man, unknown to each other, until the plot complications are straightened out.
Whatever sparkle there was to the original B&W film has been dampened by a dull script, slow-paced direction and some coy performances from Sothern and Powell. Powell postures as a would-be actress but her artificial poses are contrived and obvious which makes Sullivan suspecting that she's a girl "in trouble" (when she's really rehearsing a part) seem a strain on credibility.
Both Sothern and Powell are given the usual MGM glossy close-up treatment, but the silly plot defeats everyone.
Rio is strictly a fabrication on an MGM sound stage. Only CARMEN MIRANDA's lively musical contributions make watching this worthwhile. That, and a nice, understated, low-key performance from the always reliable BARRY SULLIVAN saves the comic moments from being downright foolish.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Durée1 heure 40 minutes
- Rapport de forme
- 1.37 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Voyage à Rio (1950) officially released in India in English?
Répondre