Ajouter une intrigue dans votre langueA series of demonstrations of the kind of motoring accessories we'll all take for granted in the future...A series of demonstrations of the kind of motoring accessories we'll all take for granted in the future...A series of demonstrations of the kind of motoring accessories we'll all take for granted in the future...
June Foray
- Fashion announcer
- (non crédité)
- …
Gilman Rankin
- Narrator
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesIn his 1993 book about Tex Avery, animation specialist Pierre Lambert reveals that Tex Avery didn't really like this cartoon. The artist once said in an interview: "It was one of those where we were stuck and made gag after gag, but there was nothing to elaborate on. We used to put what we felt was the strongest gag at the end. It made a little entertainment, but it led to nothing. These were real scams and I hated to do them, but sometimes we had no other choice. "
- ConnexionsFeatured in Toon in with Me: The Amazing Hat-Chop from Billco (2021)
Commentaire à la une
Love animation, it was a big part of my life as a child, particularly Disney, Looney Tunes and Tom and Jerry, and still love it whether it's film, television or cartoons.
Also have much admiration for Tex Avery, an animation genius whose best cartoons are animated masterpieces and some of the best he ever did. 'Car of Tomorrow' may not be one of his very best, only because his masterpieces were so many, more so than most other animation directors. Occasionally, limitations show in some of the backgrounds (in comparison to his cartoons from the 40s), but actually a vast majority of the animation is very good. As said in my review for 'Cellbound', when Avery was not at his best he still fared much better than most other animation directors at their worst, some can only dream of having their best work on the same level as the masterpieces from Avery.
Have not seen all Avery's work, though that's my goal as of now, but as of now have yet to see anything "bad" from him, even if there are perhaps a few very early efforts that are not at his usual top standard.
Some limited backgrounds and some unrefined drawing aside, the animation has a lot of colourful colours and expressive, inventive drawing and expressions. The music from the always never less than dependable Scott Bradley is lushly and cleverly orchestrated, with lively and energetic rhythms and fits very well indeed, a lot of the action is even enhanced by the music.
'Car of Tomorrow' is one of those cartoons that is very funny, with plenty of clever, imaginatively timed gags that really deliver on the humour, and also manages to be very informative and educational with its demonstrations without preaching. Despite being made over 60 years ago, the subject and what the cartoon says actually feels ahead of its time and somewhat current are very much relevant today, or at least to me it did.
Expectedly, Avery fares very strongly in the directing, even if other cartoons show off his unique wild and wacky style a little more.
The characters carry 'Car of Tomorrow' very nicely and June Foray (one of the most talented voice artists of that era and ever) is characteristically great.
Overall, great. 9/10 Bethany Cox
Also have much admiration for Tex Avery, an animation genius whose best cartoons are animated masterpieces and some of the best he ever did. 'Car of Tomorrow' may not be one of his very best, only because his masterpieces were so many, more so than most other animation directors. Occasionally, limitations show in some of the backgrounds (in comparison to his cartoons from the 40s), but actually a vast majority of the animation is very good. As said in my review for 'Cellbound', when Avery was not at his best he still fared much better than most other animation directors at their worst, some can only dream of having their best work on the same level as the masterpieces from Avery.
Have not seen all Avery's work, though that's my goal as of now, but as of now have yet to see anything "bad" from him, even if there are perhaps a few very early efforts that are not at his usual top standard.
Some limited backgrounds and some unrefined drawing aside, the animation has a lot of colourful colours and expressive, inventive drawing and expressions. The music from the always never less than dependable Scott Bradley is lushly and cleverly orchestrated, with lively and energetic rhythms and fits very well indeed, a lot of the action is even enhanced by the music.
'Car of Tomorrow' is one of those cartoons that is very funny, with plenty of clever, imaginatively timed gags that really deliver on the humour, and also manages to be very informative and educational with its demonstrations without preaching. Despite being made over 60 years ago, the subject and what the cartoon says actually feels ahead of its time and somewhat current are very much relevant today, or at least to me it did.
Expectedly, Avery fares very strongly in the directing, even if other cartoons show off his unique wild and wacky style a little more.
The characters carry 'Car of Tomorrow' very nicely and June Foray (one of the most talented voice artists of that era and ever) is characteristically great.
Overall, great. 9/10 Bethany Cox
- TheLittleSongbird
- 19 oct. 2017
- Permalien
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- Durée6 minutes
- Rapport de forme
- 1.37 : 1
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By what name was La voiture de demain (1951) officially released in Canada in English?
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