NOTE IMDb
7,1/10
3,3 k
MA NOTE
Un employé d'un arrêt de diligence et une voyageuse en détresse se retrouvent à la merci de quatre hors-la-loi désespérés qui veulent voler la cargaison d'or du lendemain.Un employé d'un arrêt de diligence et une voyageuse en détresse se retrouvent à la merci de quatre hors-la-loi désespérés qui veulent voler la cargaison d'or du lendemain.Un employé d'un arrêt de diligence et une voyageuse en détresse se retrouvent à la merci de quatre hors-la-loi désespérés qui veulent voler la cargaison d'or du lendemain.
- Récompenses
- 3 victoires au total
Robert Adler
- Billy Dent
- (non crédité)
Milton R. Corey Sr.
- Dr. Tucker
- (non crédité)
Dick Curtis
- Hawley
- (non crédité)
Judy Dunn
- Callie Holt
- (non crédité)
Edith Evanson
- Mrs. Hickman
- (non crédité)
William Haade
- Gil Scott
- (non crédité)
Gary Merrill
- Narrator
- (voix)
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesDuring its run on television during the early 1960s, the film was retitled "Desperate Siege" in order to distinguish it from the Eric Fleming and Clint Eastwood television series "Rawhide" (1959).
- GaffesAt around 68 minutes in, Tom is looking through a hole in a wall when, for dramatic effect, the shadow of a person outside falls on the wall. In the next shot, the shadow of the person outside falls in a completely different direction.
- Citations
Zimmerman: Tevis has no respect for the dead.
Vinnie Holt: And he just loves the living?
- ConnexionsFeatured in The 76th Annual Academy Awards (2004)
Commentaire à la une
Watched this again on the new DVD released & all I can say is WOW, I was impressed. This film has vaulted into my top 20 Westerns.
First of all from beginning to end its hitting on all cylinders. This is a Stage Station film in the tradition of "The Tall T" & "Comanche Station" of the later Bud Boetticher/Randolf Scott Ranown series, all of the action takes place in the stage station and its immediate surroundings.
The opening sequences of a stagecoach crossing the rugged barren wilderness including shots of it passing through snowbound passes are just spectacular. The Black & White cinematography is gorgeous, and add to that the historically accurate use of a team of mules pulling it makes this film one of the best portrayals of stage travel I've seen. Even the stagecoach itself is adorned with a "headlight" type lantern for night travel.
This is one of those films where you learn some bits of Western lore, its a good example of what was prevalent in that "golden age" of the Western 1950 -1971 when the audience through both films like this and the abondanza of Westerns on TV were inundated with things western where you were in the aggregate going to a sort of "Western University". Its a knowledge that is getting lost now and a good example is the illogical stupidity and implausible scenarios in the recent remake of 3:10 to Yuma.
But I've been digressing. Lets get back to Rawhide.
Care is also taken to show how the arriving team of mules is changed out for a fresh team. For those who are not familiar with western staglines most stage stops "stations" were located between 15 to 20 miles apart so that fresh teams could replace the arriving team. Each tandem of driver & shotgun made a run of about 100 miles a day, so they would go through between 5-7 stage stops in a shift. At some stage stations they had lunch or dinner for the passengers, All the aspect of working a stage station was depicted spot on. The set is perfect.
Dir Henry Hathaway does an impressive job in this film, his shots and compositions are beautiful & all the actors are convincing. This film boasts Edgar Buchanan's finest performance as Stationmaster Sam Todd, and Jack Elam is his creepiest as Treviss, Tyrone Power is Tom Owens, Susan Hayward as Vinne Holt a tough ex-saloon singer turned protector/surrogate mother of her dead sisters daughter, Hugh Marlow as the gang leader, George Tobias as Gratz, and a great performance by Dean Jagger as the slow on the uptake "one horse horse thief" Yancy. Its got a very well integrated low key un-intrusive to the story "love interest" between Power & Hataway a good example of they way it should be handled in all Westerns.
This film should be in anybodies Western Collection, 8/10 or better.
First of all from beginning to end its hitting on all cylinders. This is a Stage Station film in the tradition of "The Tall T" & "Comanche Station" of the later Bud Boetticher/Randolf Scott Ranown series, all of the action takes place in the stage station and its immediate surroundings.
The opening sequences of a stagecoach crossing the rugged barren wilderness including shots of it passing through snowbound passes are just spectacular. The Black & White cinematography is gorgeous, and add to that the historically accurate use of a team of mules pulling it makes this film one of the best portrayals of stage travel I've seen. Even the stagecoach itself is adorned with a "headlight" type lantern for night travel.
This is one of those films where you learn some bits of Western lore, its a good example of what was prevalent in that "golden age" of the Western 1950 -1971 when the audience through both films like this and the abondanza of Westerns on TV were inundated with things western where you were in the aggregate going to a sort of "Western University". Its a knowledge that is getting lost now and a good example is the illogical stupidity and implausible scenarios in the recent remake of 3:10 to Yuma.
But I've been digressing. Lets get back to Rawhide.
Care is also taken to show how the arriving team of mules is changed out for a fresh team. For those who are not familiar with western staglines most stage stops "stations" were located between 15 to 20 miles apart so that fresh teams could replace the arriving team. Each tandem of driver & shotgun made a run of about 100 miles a day, so they would go through between 5-7 stage stops in a shift. At some stage stations they had lunch or dinner for the passengers, All the aspect of working a stage station was depicted spot on. The set is perfect.
Dir Henry Hathaway does an impressive job in this film, his shots and compositions are beautiful & all the actors are convincing. This film boasts Edgar Buchanan's finest performance as Stationmaster Sam Todd, and Jack Elam is his creepiest as Treviss, Tyrone Power is Tom Owens, Susan Hayward as Vinne Holt a tough ex-saloon singer turned protector/surrogate mother of her dead sisters daughter, Hugh Marlow as the gang leader, George Tobias as Gratz, and a great performance by Dean Jagger as the slow on the uptake "one horse horse thief" Yancy. Its got a very well integrated low key un-intrusive to the story "love interest" between Power & Hataway a good example of they way it should be handled in all Westerns.
This film should be in anybodies Western Collection, 8/10 or better.
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- How long is Rawhide?Alimenté par Alexa
Détails
- Durée1 heure 29 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was L'attaque de la malle-poste (1951) officially released in India in English?
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