Ajouter une intrigue dans votre langueIn this sequel to "Knock On Any Door", the residents of a Chicago tenement building band together to insure that the son of Nick Romano does not follow in his father's footsteps...to the ele... Tout lireIn this sequel to "Knock On Any Door", the residents of a Chicago tenement building band together to insure that the son of Nick Romano does not follow in his father's footsteps...to the electric chair.In this sequel to "Knock On Any Door", the residents of a Chicago tenement building band together to insure that the son of Nick Romano does not follow in his father's footsteps...to the electric chair.
- Récompenses
- 1 nomination au total
- Max
- (as Rudolph Acosta)
- Night Court Magistrate
- (as Francis DeSales)
- Courtroom Spectator
- (non crédité)
- Derelict
- (non crédité)
- Bar Patron
- (non crédité)
- Man in Shelter
- (non crédité)
- Mike
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesElla Fitzgerald's piano playing was ghosted by Cliff Smalls. Fitzgerald also recorded the songs "I'm Getting Sentimental Over You", "Misty", and "Who's Sorry Now", but they weren't used in the film. Fitzgerald's album of music from the film was unavailable for years but has since been issued on CD under the title "The Intimate Ella".
- GaffesAfter begging Bobbie and her father to leave his apartment, Nick slams the door shut, making the wall shake.
- Citations
Judge Bruce Mallory Sullivan: I was just thinking of the beauty and charm of life here on West Madison.
Wart: Yeah, you'll get used to it Judge, when you've been here as long as we have.
Judge Bruce Mallory Sullivan: Some place to bring up a boy. Deadbeats hanging round every corner. Hopheads, begging, borrowing, stealing to buy a few cc's of delirium.
Fran: Come on, Judge, don't do that.
Judge Bruce Mallory Sullivan: Nick won't have a chance. By the time he's twelve he'll have the soul of toadstool. Somebody has to tell her. Nellie needs help, if Nick's gonna make it.
Fran: Well, I will, I'll help.
Judge Bruce Mallory Sullivan: Why don't you all? I, I mean, why don't we...
Flora: What have we got to give a boy? Just our own miseries.
Judge Bruce Mallory Sullivan: Who knows more about miseries, Flora? Who knows more about life than you or Wart or me?
Wart: Yeah but what kind of a life?
Judge Bruce Mallory Sullivan: The kind of life we don't want Nick to have.
Goodbye George: Judge, you mean you want us all to, er, kind of adopt Nick?
Max: You know, he's right.
Wart: Maybe you got something.
Nellie Romano: Hey, are you all serious?
Judge Bruce Mallory Sullivan: Who else is there to help you, Nellie?
Wart: Are you for it, Nellie?
Nellie Romano: Yes, I am for it.
Judge Bruce Mallory Sullivan: A toast! A toast to the future of Nick Romano!
- ConnexionsFollows Les ruelles du malheur (1949)
- Bandes originalesReach for Tomorrow
Music by Jimmy McHugh
Lyrics by Ned Washington
Performed by Ella Fitzgerald
[Flora sings the song at the bar just before the End card]
Interesting "sequel" (of sorts); actually, this is an adaptation of Willard Motley third novel, "Let No Man Write My Epitaph", which was a follow-up to his first, "Knock on Any Door". The earlier film starred John Derek and Humphrey Bogart, and lacked much of the realism needed to accurately tell the story. There are some allusions to the earlier film; the shot of the adult Romano (Darren) ascending a stairway recalls the earlier film, as does a picture of the original Romano. This film is much better scripted; and, importantly, Chicago denizens could be shown selling, and using, Heroin. The drug use becomes a very big part of the picture.
This film isn't without flaws; and, for most of the early running time, it teeters so close to plodding, soapy melodrama, you might get disenchanted. However, growing characterizations from the three leads, and nice location photography, enhance the production. Additionally, there are good supporting performances; from, for example, smarmy Ricardo Montalban (as Louie) and legless Walter Burke (as Wart). And, of course, Ella Fitzgerald (as Flora) sings beautifully.
Around the time (at about 1:11) Mr. Ives has a saloon scene with Ms. Fitzgerald in the background (after a fix), the film really takes off. Situations become significantly more obvious. Darren, Winters, and Ives have big dramatic, well-played scenes. The intensity of the film heightens, to quite a very exciting conclusion.
******* Let No Man Write My Epitaph (1960) Phillip Leacock ~ James Darren, Shelley Winters, Burl Ives
- wes-connors
- 13 avr. 2008
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Let No Man Write My Epitaph
- Lieux de tournage
- South Michigan Avenue and East Congress Plaza Drive at East Van Buren Street, Chicago, Illinois, États-Unis(Judge Bruce Mallory Sullivan and Nick Romano turn north onto South Michigan Avenue in a taxi)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 45 minutes
- Couleur
- Rapport de forme
- 1.85 : 1