Ajouter une intrigue dans votre langueAn assassin uses the remote-controlled monster created by a mad scientist to kill his enemies.An assassin uses the remote-controlled monster created by a mad scientist to kill his enemies.An assassin uses the remote-controlled monster created by a mad scientist to kill his enemies.
Photos
Pedro D'Aguillón
- Vidal
- (as Pedro d'Aguillón)
Armando Gutiérrez
- Custodio de prisión
- (non crédité)
Leonor Gómez
- Observadora
- (non crédité)
Chel López
- Ayudante de Gastón
- (non crédité)
Roger López
- Hermano de Gastón
- (non crédité)
José Pardavé
- Velador de Teatro
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesTo avoid Mexican union regulations, title cards divide the film in four parts, as if it were a four part serial.
- ConnexionsReferenced in Herschell Gordon Lewis: The Godfather of Gore (2010)
Commentaire à la une
THE HELL OF FRANKENSTEIN (1960, original title Orlak, el infierno de Frankenstein) is a Mexican potboiler whose main character is Jaime, a criminal who is released from prison at the film's outset. He busts Dr. Frankenstein from the clink and aides him in the creation of a new man with the aide of a horrifically-scarred assistant desperate for a new face. Soon, the box-headed monstrosity has a metal skeleton a la Wolverine and is busy taking down rivals and committing acts of larceny and murder...
Like many low budget Mexican features of this era, this is a cheap and cheerful effort, and very slow for the most part which stops it being hugely entertaining. It turns into a doppelganger movie halfway through, giving the antagonist a perfect alibi for the many crimes that take place, and is more thriller than sci-fi or horror. Some of the staging and characters favourably recall the Universal greats, and it does pick up for a traditional rooftop chase climax that doesn't disappoint, but overall this is one for hardcore fans only.
Like many low budget Mexican features of this era, this is a cheap and cheerful effort, and very slow for the most part which stops it being hugely entertaining. It turns into a doppelganger movie halfway through, giving the antagonist a perfect alibi for the many crimes that take place, and is more thriller than sci-fi or horror. Some of the staging and characters favourably recall the Universal greats, and it does pick up for a traditional rooftop chase climax that doesn't disappoint, but overall this is one for hardcore fans only.
- Leofwine_draca
- 14 déc. 2022
- Permalien
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Détails
- Durée1 heure 43 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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By what name was Orlak, el infierno de Frankenstein (1960) officially released in Canada in English?
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