Ajouter une intrigue dans votre langueWelcome to Atlantis, where royal guardsmen wear uniforms that could easily be from the wardrobe of Ming the Merciless and some unfortunate slaves are turned into bovine-headed beasts.Welcome to Atlantis, where royal guardsmen wear uniforms that could easily be from the wardrobe of Ming the Merciless and some unfortunate slaves are turned into bovine-headed beasts.Welcome to Atlantis, where royal guardsmen wear uniforms that could easily be from the wardrobe of Ming the Merciless and some unfortunate slaves are turned into bovine-headed beasts.
- Captain of the Guard
- (as Bill Smith)
- Sonoy
- (as Frank De Kova)
- Narrator
- (voix)
- …
- Noblewoman
- (non crédité)
- Citizen
- (non crédité)
- Guard
- (non crédité)
- Norseman Slave
- (non crédité)
- Slave
- (non crédité)
- Girl
- (non crédité)
- Norseman
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesFollowing a preview of the film, a questionnaire was distributed among the viewers asking what scene they liked. One person answered, "The scene where Robert Taylor saved Deborah Kerr from the fire." This was in reference to the fact that much of the stock footage used in the film came from Quo Vadis (1951).
- GaffesObvious stunt double for Demetrios during the Ordeal of Fire and Water and the rope-hanging scene.
- Citations
[first lines]
Narrator: When Columbus discovered America, a series of mysteries arose to confound the scholars of Europe. Here are two continents, completely isolated from each other, yet they simultaneously developed similar cultures. For example, the Mayans measured time on the same principle as the Gregorian calendar of Europe. They used the same signs of the zodiac, the same decimal and mathematical system. They valued silver and gold, using both for jewelry and barter. Another mystery was the banana plant, a native of Asia that cannot be grown from seed, yet Columbus found it thriving in the New World. Elephants at that time did not exist in the Americas, yet their likenesses were cleaved on the walls of prehistoric caves in Peru. The pyramids in Mexico and in Egypt were built on identical architectural principles. Then there was the striking resemblance of a witch of Spain, and the witch depicted in the New World. But the most significant of all, Mayan and Aztec legends shared with Greek and Hebrew and Assyrian literature an account of a terrible deluge, a deluge many believe had destroyed the link, the mother empire, that had spread her civilization to both sides of the Atlantic. The Greek scholar Plato recorded this theory first, over two thousand years ago. There was once another continent: Atlantis: The Lost Continent.
- Crédits fousFor once in his life, Paul Frees gets an on-screen credit for a voice-over job, the narration in the opening and closing sequences. Strangely, he is billed not in the cast list, but in the technical credits.
- Versions alternativesWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'A' rating.
- ConnexionsEdited from Quo Vadis (1951)
Near the end of the film Russell Garcia's music repeats an easily remembered motif from his "Time Machine" score.
Edward Platt's performance as High Priest Azor is one of the best in the film although I kept expecting someone to call him "Chief."
The writing is a little stiff as it always seems to be in these ancient times epics. The only real awkward moment is the bizarre chant the slaves recite as they twist the giant drill in order to speed the eruption of the volcano.
Very colorful sets and costumes along with the usual amount of special effects mayhem you would anticipate from George Pal. The lead f/x man was A. Arnold Gillespie who worked on "The Wizard of Oz" and "Gone With the Wind." The miniature sets and explosions are especially good.
An overlooked, above average spectacle from one of the best showmen working in Hollywood at the time.
- TSMChicago
- 30 juin 2003
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Atlantis: The Lost Continent
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 30 minutes
- Rapport de forme
- 1.85 : 1