Ajouter une intrigue dans votre langueA condemned criminal's acquaintances gather at a remote lodge on the eve of his execution to search for hidden money.A condemned criminal's acquaintances gather at a remote lodge on the eve of his execution to search for hidden money.A condemned criminal's acquaintances gather at a remote lodge on the eve of his execution to search for hidden money.
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- AnecdotesAlthough shot in academy 1.37:1 aspect ratio (for later television airing) the theatrical -- or *intended* (by the studio, producer, director and/or cinematographer) -- aspect ratio of this film is 1.85:1 widescreen. Most modern 16x9 (1.77:1) televisions have a "zoom to width" picture option, essentially allowing the viewer to see the film as the director and cinematographer originally planned. It is easy to spot films shot this way since all the titles and credits will still fit when properly cropped (they stay in the "middle" of the frame vertically), and there is an unusual amount of "headroom" above the actors in medium and close-up shots when viewed uncropped. Quite often "mistakes" -- like seeing equipment in the top or bottom of the uncropped frame -- would never have been seen by a theater audience.
- GaffesAt 5:03, Ellie calls Sam by name. He never told her his name and there is no indication that she learned his name otherwise.
- Citations
Sam Morgan: Is that the only reason you came up here Friday night, for the money?
Ellie: If that bothers you, you can walk out of here right now.
[Sam smirks]
Ellie: Don't look at me like that. Just because they hanged a man who didn't deserve hanging, and it... it hit you in the face like a dish of cold spaghetti, don't expect me to fall apart because of it. Get this straight, Sam: I'm the lovely lady from Playgirl's Paradise. It's a two-bit gyp joint right down on Delgado Street, right off skid row...
[Sam laughs]
Ellie: What's so funny?
Sam Morgan: Your going into that big line, that's what's so funny.
In a small roadhouse, several people are awaiting the chimes of midnight, when a condemned bank-robber will meet his fate at the local penitentiary. The blonde announces herself as his wife, but doesn't show much emotion about her imminent widowhood, apparently a hard-bitten cynic who cares for no-one and nothing (in other words, business as usual for Merry Anders).
Her rescuer turns out to be James Brown, left over from Rin Tin Tin, where he was Rusty's virtuous role model, a character essentially replicated here. He is feeling guilty because his evidence has been twisted by the prosecution, making it look as though he alone is responsible for the death sentence, which he felt was unsafe. But the whole picture alters when another self-proclaimed widow checks-in at the same hotel...
Naturally it's all about recovering the loot, which finally does arrive through a most ingenious sub-plot, which we can't reveal. But Brown's good-scout act which ends the story is looking a little tame for the Sixties, which were just starting to take shape.
- Goingbegging
- 23 avr. 2022
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Détails
- Durée1 heure 12 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1