NOTE IMDb
7,7/10
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MA NOTE
Un jeune Grec ne reculera devant rien pour s'assurer le passage vers l'Amérique.Un jeune Grec ne reculera devant rien pour s'assurer le passage vers l'Amérique.Un jeune Grec ne reculera devant rien pour s'assurer le passage vers l'Amérique.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 7 victoires et 12 nominations au total
Garrett Cassell
- Dog Walker
- (non crédité)
Tom Holland
- Voice Overs
- (voix)
- (non crédité)
Elia Kazan
- Self
- (voix)
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesOf all the films he had directed, this one was Elia Kazan's favorite film, as it was very personal to him.
- GaffesAn old woman is humming a tune from Astor Piazzolla's Libertango in the 1900s, decades before the composer was even born.
- Citations
Elia Kazan: [Voice- over] My name is Elia Kazan. I am a Greek by blood, a Turk by birth and an American because my uncle made a journey.
- Crédits fousDirector Elia Kazan narrates the main portion of the closing credits, reading the words as they appear on the screen, using complete sentences such as "The cinematography was by Haskell Wexler."
- ConnexionsEdited into Amérique, notre histoire (2006)
- Bandes originalesExcitement In The Village
Commentaire à la une
Imagine a film like "The Godfather" receiving almost no audience, relegated to the occasional appearance on the AMC channel, barely being released on VHS or DVD, and you will have some idea of the tragic fate of this lost epic masterpiece. As hard as it is to believe, this may be the prolific director Elia Kazan's greatest film achievement, yet hardly anyone has seen it. This is a film on the epic scale of "The Godfather," about a young Armenian man's escape from Turkish persecution, flight from Anatolia, and eventual immigration to Ellis Island - all based upon the the experiences of the director's uncle. What is also tragic is the fact that I can think of no other film which portrays the cruel persecution and genocide inflicted upon the Armenian minority by the Ottoman Turks in the early 20th century (which Hitler correctly pointed to as proof that the world would look the other way at the genocide he had planned in Europe in the 1930s). Every period detail in the film is perfect, from the Oscar-winning costume design to the set design, Greek folk music score, veteran Haskell Wexler's cinematography, and acting - especially lead actor Giallelis, whose intensity brings to mind some of Brando's early work.
It is obvious that this film was a very personal piece of film-making for Kazan. And though I don't want to dwell as others do on Kazan's checkered past in his naming of communist colleagues for HUAC in the 1950s, it is interesting to note a parallel in the main character Stavros' personal anguish in making the choice to leave his wealthy wife and use her money to immigrate to the United States; both men made the conscious decision to drive a wedge between them and their past relationships. This is truly a film for all Americans to treasure, and if I had my way, I would make sure it was broadcast every 4th of July just as "It's a Wonderful Life" is broadcast every Christmas. As a nation of immigrants and descendants of immigrants, this is a film virtually every American can relate to. I can't figure out why it is so obscure.
It is obvious that this film was a very personal piece of film-making for Kazan. And though I don't want to dwell as others do on Kazan's checkered past in his naming of communist colleagues for HUAC in the 1950s, it is interesting to note a parallel in the main character Stavros' personal anguish in making the choice to leave his wealthy wife and use her money to immigrate to the United States; both men made the conscious decision to drive a wedge between them and their past relationships. This is truly a film for all Americans to treasure, and if I had my way, I would make sure it was broadcast every 4th of July just as "It's a Wonderful Life" is broadcast every Christmas. As a nation of immigrants and descendants of immigrants, this is a film virtually every American can relate to. I can't figure out why it is so obscure.
- Sturgeon54
- 16 juin 2005
- Permalien
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Détails
- Durée2 heures 54 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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