Irma la Douce
- 1963
- Tous publics
- 2h 27min
NOTE IMDb
7,3/10
22 k
MA NOTE
À Paris, un ancien policier tombe amoureux d'une prostituée et essaie de la sortir de cette vie en payant pour tout son temps.À Paris, un ancien policier tombe amoureux d'une prostituée et essaie de la sortir de cette vie en payant pour tout son temps.À Paris, un ancien policier tombe amoureux d'une prostituée et essaie de la sortir de cette vie en payant pour tout son temps.
- Récompensé par 1 Oscar
- 6 victoires et 7 nominations au total
Histoire
Le saviez-vous
- AnecdotesThe pimps' union is called the "Mecs (Guys or Blokes) Paris Protective Association" (MPPA), which also stands for "Motion Picture Producers Association", an organization which had given Director Billy Wilder some trouble.
- GaffesThe shadow of the boom can be seen on the brown wall, at the right of the screen, just after Nestor shows up in Irma's apartment following his jailbreak. It shows up behind Lefevre just after Irma's sarcasm that Nestor can be found in jail.
- Versions alternativesThe MGM/UA VHS print had the 1994 United Artists logo but in the other releases, the opening and closing MGM logos are shown.
- ConnexionsAlternate-language version of Irma la Douce (1972)
- Bandes originalesAh Dis Donc, Dis Donc
Music by Marguerite Monnot
Commentaire à la une
I love Billy Wilder, but boy is Irma la Douce a mess...
The biggest issues are the length and the confused tone. This film should have been an hour and forty-five minutes tops; two and a half hours with few laughs or charm to offer the audience is just torture. And then there is the issue of the tone. The film does not know what it is: a sexual farce? A romantic comedy? A romantic dramedy? I don't know, and I don't believe the movie knows either!
The first hour is full of good things: MacLaine and Lemmon have chemistry and while none of the comedy is particularly hilarious, it is witty and fun for what it is. But the moment we get to the second hour, Lemmon's characterization changes in a most improbable manner and the "funny" parts all fall flat. And did I mention the unnecessarily long run time? The one saving grace of the picture is MacLaine's performance as the titular prostitute, whose lust for life equals her sense of world weariness and soulful poignancy.
It's worth one viewing, but it's hard to recommend it to anyone outside of the Wilder, Lemmon, or MacLaine fan base.
The biggest issues are the length and the confused tone. This film should have been an hour and forty-five minutes tops; two and a half hours with few laughs or charm to offer the audience is just torture. And then there is the issue of the tone. The film does not know what it is: a sexual farce? A romantic comedy? A romantic dramedy? I don't know, and I don't believe the movie knows either!
The first hour is full of good things: MacLaine and Lemmon have chemistry and while none of the comedy is particularly hilarious, it is witty and fun for what it is. But the moment we get to the second hour, Lemmon's characterization changes in a most improbable manner and the "funny" parts all fall flat. And did I mention the unnecessarily long run time? The one saving grace of the picture is MacLaine's performance as the titular prostitute, whose lust for life equals her sense of world weariness and soulful poignancy.
It's worth one viewing, but it's hard to recommend it to anyone outside of the Wilder, Lemmon, or MacLaine fan base.
- MissSimonetta
- 21 mars 2015
- Permalien
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Détails
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut mondial
- 52 $US
- Durée2 heures 27 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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What is the Brazilian Portuguese language plot outline for Irma la Douce (1963)?
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