Un entomologiste en vacances est piégé par des villageois qui le contraignent à vivre avec une femme dont l'unique fonction est de ramasser du sable pour eux.Un entomologiste en vacances est piégé par des villageois qui le contraignent à vivre avec une femme dont l'unique fonction est de ramasser du sable pour eux.Un entomologiste en vacances est piégé par des villageois qui le contraignent à vivre avec une femme dont l'unique fonction est de ramasser du sable pour eux.
- Nommé pour 2 Oscars
- 11 victoires et 3 nominations au total
Histoire
Le saviez-vous
- AnecdotesFor this film, Hiroshi Teshigahara became the first Japanese director to be nominated for an Oscar for directing.
- GaffesThe beard of teacher Jumpei is not growing, despite him even complaining about no opportunity to shorten it.
- Citations
Entomologist Niki Jumpei: The certificates we use to make certain of one another: contracts, licenses, ID cards, permits, deeds, certifications, registrations, carry permits, union cards, testimonials, bills, IOUs, temporary permits, letters of consent, income statements, certificates of custody, even proof of pedigree. Is that all of them? Have I forgotten any? Men and women are slaves to their fear of being cheated. In turn they dream up new certificates to prove their innocence. No one can say where it will end. They seem endless.
- ConnexionsFeatured in Music for the Movies: Tôru Takemitsu (1994)
The film reflects existential, not Zen, themes, and belongs with Camus and Beckett. Life is meaningless in this pit, there is no escape, and the day to day toil is not only a struggle, but absurd and nonsensical. There is clearly a parallel being drawn to the bugs being buried in the sand as well as struggling futilely in test tubes earlier in the movie. It also reflects man's cruelty in the bugs pinned on boards to the forced labor. The scene towards the end, where the villagers look impassively down through masks and glasses with the taiko drums pounding, demanding a lewd display, is chilling.
There are a couple of very raw erotic scenes between Okada and Kishida, heightened by the conditions they find themselves in, and notably occurring as one wipes the other down. In trying to free ourselves of this painful world and the grime it coats us with, if even for only moments, we turn to the embrace of another, and take comfort in carnal moments. It's beautiful and somewhat pathetic at the same time. Okada also experiences a moment of transcendence when he invents a water pump, and sees it as a higher achievement than his original goal of discovering a new species of beetle and having it named after him. There is humanity again, displaying intelligence in improving his lot, and vanity. It's a somewhat grim film, but there is solace in these things. Definitely worth watching.
- gbill-74877
- 31 mars 2017
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La Femme des dunes
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée2 heures 27 minutes
- Couleur
- Rapport de forme
- 1.37 : 1