The plot and the character, Paladin (which is not actually the gunfighter's name; he takes the moniker after being challenged by a character named Smoke) were ahead of the times for 1957. Paladin is a multilingual gentleman of letters who sees no need for macho bravado, is a champion of human rights (regardless of race or nationality) and who proves that real men can be literate, eloquent, and even wear a satin robe.
Having viewed the Columbia House re-release of twenty-one episodes of "Have Gun", it amazes me how much Paladin is a renaissance man. Paladin laughs up his sleeve as his adversaries fumble in comic absurdity, trying to prove just how masculine they are. Psychology, not a pistol, often is the weapon of choice. Even so, after twenty-two minutes of clever strategy and elocution, the fist and the forty-four are often called upon to end the story, lest we run out of time.
No small surprise that "Have Gun" provided writer Gene Roddenberry with a creative garden to develop ideas for another series (deemed by the omniscient sages of networkdom to be "too cerebral"), "Star Trek".
