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MA NOTE
L'amitié grandissante de deux débardeurs de New York est menacée par un punk particulièrement repoussant.L'amitié grandissante de deux débardeurs de New York est menacée par un punk particulièrement repoussant.L'amitié grandissante de deux débardeurs de New York est menacée par un punk particulièrement repoussant.
- Nomination aux 2 BAFTA Awards
- 1 victoire et 2 nominations au total
Robert F. Simon
- George Nordmann
- (as Robert Simon)
David Clarke
- Wallace
- (as David Clark)
Ralph Bell
- Night Boss
- (non crédité)
Charles Jordan
- Old Stevedore
- (non crédité)
Mike O'Dowd
- Malick's Henchman
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesWritten specifically for Sidney Poitier.
- GaffesWhen Axel is fighting Charlie and they end up on the tracks near the end of the rail car, Axel picks up a hunk of pipe that bends while he is swinging it. Charlie then hits him a couple of times in the gut. When Axel falls on the ground, it is obvious he has padding under his jacket (to absorb the blows) which disappears in the next shot.
- Citations
Axel Nordmann: Excuse me, a-are you in charge here?
Night Boss: Yeah.
Axel Nordmann: I-I'm looking for a guy named Charlie Malick.
Night Boss: He ain't here. He works the day shift.
Axel Nordmann: Excuse me.
Night Boss: Yeah.
Axel Nordmann: The thing is-a, I'm looking for work.
Night Boss: Nothin' I can do for ya kid, you'll have to come back in the mornin'.
- Versions alternativesAlso available in a computer colorized version.
- ConnexionsFeatured in Afro Promo (1997)
Commentaire à la une
This is an excellent movie that tackles the issue of racism in a delicate and balanced way. Great performances all round but absolutely outstanding acting by Sidney Poitier.
He makes this movie breathe and alive. His portrayal of a guy who struggles against discrimination and violence is simply mind blowing. His acting is forceful and delicate and subtle at the same time. Truly worthy of an Oscar, Poitier had to wait (because of his skin colour) for many more years before the sheer brilliance of his acting was recognised by the Academy.
Cassavetes turns in a great performance too, withdrawn, troubled and realistic as it has become his hallmark. He and Poitier contrast inimitably the forces of cowardice, courage and human transformation through friendship.
The movie is enjoyable and at the same time deeply haunting in its portrayal of racism in the US. The irony is that it somehow mirrors the realities under which Poitier had to work.
He makes this movie breathe and alive. His portrayal of a guy who struggles against discrimination and violence is simply mind blowing. His acting is forceful and delicate and subtle at the same time. Truly worthy of an Oscar, Poitier had to wait (because of his skin colour) for many more years before the sheer brilliance of his acting was recognised by the Academy.
Cassavetes turns in a great performance too, withdrawn, troubled and realistic as it has become his hallmark. He and Poitier contrast inimitably the forces of cowardice, courage and human transformation through friendship.
The movie is enjoyable and at the same time deeply haunting in its portrayal of racism in the US. The irony is that it somehow mirrors the realities under which Poitier had to work.
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- How long is Edge of the City?Alimenté par Alexa
Détails
- Durée1 heure 25 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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By what name was L'homme qui tua la peur (1957) officially released in India in English?
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