Côte 465

No director I know made the scenery as much a dramatic player as Mann did. Whether it was the West in the great Westerns he directed or the imaginary Korea of this movie, it seemed as though you were in the scene yourself watching from a tree. The movie is calm, almost contemplative, and even though you could argue the soldiers were stereotypes, they were so believable and so well acted, they seemed part of the scenery as well. The danger in the movie is everywhere and nowhere at the same time, and the men die as most men do in war, carelessly, and almost wastefully. The actors are superb, totally believable, and in the case of Robert Keith heart-breaking. I recommend this film to anyone, it's simply the best largely unknown war film ever.