NOTE IMDb
8,1/10
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MA NOTE
Après avoir vécu une froide vie, un vieux professeur est contraint d'affronter le vide de son existence.Après avoir vécu une froide vie, un vieux professeur est contraint d'affronter le vide de son existence.Après avoir vécu une froide vie, un vieux professeur est contraint d'affronter le vide de son existence.
- Nommé pour 1 Oscar
- 16 victoires et 4 nominations au total
Björn Bjelfvenstam
- Viktor
- (as Björn Bjelvenstam)
Histoire
Le saviez-vous
- AnecdotesIngmar Bergman has described in the interview how he came up with the idea while driving from Stockholm to Dalarna, stopping in Uppsala where he had been born and raised, and driving by outside his grandmother's old house, when he suddenly began to think about how it would be if he could open the door and inside it would be just as it had been during his childhood. "So it struck me - what if you could make a film about this; that you just walk up in a realistic way and open a door, and then you walk into your childhood, and then you open another door and come back to reality, and then you make a turn around a street corner and arrive in some other period of your existence, and everything goes on, lives. That was actually the idea behind Les Fraises sauvages (1957)"
- GaffesIt has been included as a continuity error that Marianne says she is going to go swimming at the old house, but when she returns her hair does not appear to be wet. This is not a continuity error, because when the film was shot in the late 1950s, and for at least a decade afterwards, at least in the Nordic countries women gathered their hair up and covered it with a special swimming cap to protect their hair from becoming wet. Some women who had grown up during those times used swimming caps as late as the 1980s, because they had grown up with the custom, and a swimming cap was to them just as integral part of swimming attire as a swimming suit.
- Citations
Dr. Evald Borg: It's absurd to bring children into this world and think they'll be better off than we were.
Marianne Borg: That's just an excuse.
Dr. Evald Borg: Call it what you want. I was an unwanted child in a hellish marriage.
- ConnexionsFeatured in Désirs d'été, rêves d'hiver (1973)
- Bandes originalesKUNGLIGA SOEDERMANLANDS REGEMENTES MARSCH
(uncredited)
Music by Carl Axel Lundvall
Commentaire à la une
Bergman has been seen by many as being a depressing film makes, who speaks above the heads of most people. Thank God someone does! In this piece of genius, we are asked to consider who God is; what makes a life worthwhile; and whether human nature alters through the generations, or is it just the costumes that change? As usual, the answers are to be provided by the audience. We must chose for ourselves what we think is 'right' or 'just'. Bergman uses the usual pattern for him - a man is on a journey (life) and meets people who are going along the same road (friends and family), and they all head toward the end of their trip (death). They stop in for obligatory visits with relatives and for food (as we all do), receive an honourary degree (fame & success?), and then send the children off to a party held in our honour that we do not attend (funeral). What happens along the way is important, but we always end up in the same place - the end. Wonderful editing techniques, good story, good images, fantastic acting, and more ideas and questions to ponder than one film can hold - or so you thought. It's only after the film ends that these ponderings come to you. During the film, you simply watch a man travel from his home to another city, but this is far from what the film is about. See this film once, think about the questions it poses, then rewind and see it again. You will be rewarded for doing so.
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Détails
Box-office
- Montant brut mondial
- 81 070 $US
- Durée1 heure 32 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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By what name was Les Fraises sauvages (1957) officially released in India in English?
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