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MA NOTE
Ajouter une intrigue dans votre langueA prostitute sentenced to death for murder pleads her innocence.A prostitute sentenced to death for murder pleads her innocence.A prostitute sentenced to death for murder pleads her innocence.
- Récompensé par 1 Oscar
- 6 victoires et 16 nominations au total
Gage Clarke
- Attorney Richard G. Tibrow
- (as Gage Clark)
Histoire
Le saviez-vous
- AnecdotesA woman named Betsy Ann Smith from Wakefield, Virginia won a bit part in this film as a prize on The Price Is Right (1956).
- GaffesWhen Barbara's son is brought to the jail for a visit and the presence of the news media upsets Barbara, she retreats to an interior area of the jail and pounds on the wall in frustration. The "brick" wall gives slightly as she throws her weight onto it.
- Citations
Barbara Graham: I never even knew the dame.
Police lieutenant: You know she's been murdered, don't you?
Barbara Graham: Yeah. So was Julius Caesar. I didn't know him either.
- Crédits fousThe film opens with this statement: The pitiless story told in this film is a true story. This story had to be told to the whole world; the whole world should see it and hear it. What good are films if they do not make us face the realities of our time? Here is the reality of our time, and we have no right to be ignorant of it. The day will come when such documents will seem to us to refer to prehistoric times, and we shall consider them as unbelievable that in earlier centuries witches were burned or thieves had their right hands cut off. Such period of true civilization is still in the future, but this film has the honor of at least contributing to its coming". Albert Camus - Nobel Prize winner.
- ConnexionsEdited into The Clock (2010)
- Bandes originalesMy Bonnie Lies Over the Ocean
Commentaire à la une
Barbara Graham was a known prostitute with criminal associates. In the early 1950s, Graham and two men were accused of and arrested for the brutal murder of elderly Mable Monahan during the course of a robbery. Convicted and sentenced to death in California's gas chamber, Graham protested her innocence to the end--and many considered that she was less a criminal than a victim of circumstance and that she had been railroaded to conviction and execution. The celebrated 1958 film I WANT TO LIVE follows this point of view, presenting Graham as a thoroughly tough gal who in spite of her background was essentially more sinned against than sinner, and the result is an extremely intense, gripping film that shakes its viewers to the core.
The film has a stark, realistic look, an excellent script, a pounding jazz score, and a strong supporting cast--but it is Susan Hayward's legendary performance that makes the film work. She gives us a Graham who is half gun moll, half good time girl, and tough as nails all the way through--but who is nonetheless likable, perhaps even admirable in her flat rebellion against a sickeningly hypocritical and repulsively white-bread society. Although Hayward seems slightly artificial in the film's opening scenes, she quickly rises to the challenge of the role and gives an explosive performance as notable for its emotional hysteria as for its touching humanity.
As the story moves toward its climax, the detail with which director Wise shows preparations for execution in the gas chamber and the intensity of Hayward's performance add up to one of the most powerful sequences in film history. Ironically, Hayward privately stated that her own research led her to believe that Graham was guilty as sin--and today most people who have studied the case tend to believe that Graham was guilty indeed. But whether the real-life Barbara Graham was innocent or guilty, this is a film that delivers one memorable, jolting, and very, very disturbing ride. Strongly recommended, but not for the faint of heart.
Gary F. Taylor, aka GFT, Amazon Reviewer
The film has a stark, realistic look, an excellent script, a pounding jazz score, and a strong supporting cast--but it is Susan Hayward's legendary performance that makes the film work. She gives us a Graham who is half gun moll, half good time girl, and tough as nails all the way through--but who is nonetheless likable, perhaps even admirable in her flat rebellion against a sickeningly hypocritical and repulsively white-bread society. Although Hayward seems slightly artificial in the film's opening scenes, she quickly rises to the challenge of the role and gives an explosive performance as notable for its emotional hysteria as for its touching humanity.
As the story moves toward its climax, the detail with which director Wise shows preparations for execution in the gas chamber and the intensity of Hayward's performance add up to one of the most powerful sequences in film history. Ironically, Hayward privately stated that her own research led her to believe that Graham was guilty as sin--and today most people who have studied the case tend to believe that Graham was guilty indeed. But whether the real-life Barbara Graham was innocent or guilty, this is a film that delivers one memorable, jolting, and very, very disturbing ride. Strongly recommended, but not for the faint of heart.
Gary F. Taylor, aka GFT, Amazon Reviewer
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Détails
Box-office
- Budget
- 1 383 578 $US (estimé)
- Durée2 heures
- Couleur
- Rapport de forme
- 1.85 : 1
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By what name was Je veux vivre! (1958) officially released in India in English?
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