L'Idiot

When you can not write about a film more than it is a masterpiece. First, for admirable Nastasia Filipovna proposed by Iulia Borisova. Second, for realistic Rogozhin of. Leonid Parkhomenko. Not the last, off course, for the portrait of kniaz Myshkin, ofered by Iuri Iakovlev. Second, because few scenes are so intense than the film becomes an experience. It is a great adaptation , one of the most beautiful crafted from Fyodor Dostoyevsky work.

No doubts, temptation to compare this version with the miniseries made by Vladimir Bordko in 2003 works. But not in brilliant manner . First, for wise crafted version , who has the fair desire to propose only a part from novel.

Second, for atmosphere and great use of close up.

For rooms and for eyes and for the large slices of madness.

And for the honest way to offer, in noble manner, the spirit of Dostoievsky novel.

In short, just a masterpiece. In special sense.