Ajouter une intrigue dans votre langueAngela Barrows, an accomplished business analyst from the US, attempts to contemporise the late MacPherson's tweed factory, shaking the very foundation of a men-only company.Angela Barrows, an accomplished business analyst from the US, attempts to contemporise the late MacPherson's tweed factory, shaking the very foundation of a men-only company.Angela Barrows, an accomplished business analyst from the US, attempts to contemporise the late MacPherson's tweed factory, shaking the very foundation of a men-only company.
- Récompenses
- 1 nomination au total
- Irwin Hoffman
- (as Donald Pleasance)
- Jock Munro
- (as Norman Macowan)
- 'C.J.'
- (as Macdonald Parke)
Histoire
Le saviez-vous
- AnecdotesContrary to an earlier post, the clerk at MacPherson's is clearly referred to several times in the dialogue and also in the end credits as Meekie not Mitty. Meekies have been resident in Scotland since the 19th century.
- Citations
Andrew Darling: You're a gremlin, that's what she said.
Macleod: Who says?
Andrew Darling: Mrs blathering Barrows. You should hear what she's going to do with the house of MacPherson. Here... what's a gremlin?
Macleod: You'd better go and see Mr Roberts. Come on.
Andrew Darling: Ah, Robbie... he's a gremlin.
Robertson: Will you please stop calling me a gremlin?
- ConnexionsFeatured in The Unknown Peter Sellers (2000)
- Bandes originalesAll Things Bright and Beautiful
(uncredited)
Lyrics by Cecil F. Alexander and music by William H. Monk
Sung by a choir on the television in Mrs Barrows' apartment
In this comedy the plot could easily just involve a man coming into a company because the battle is less one of male versus female and more a matter of old school versus new school where, much I'm Alright Jack, Sellers leads the defence against such action. Looking at it this way the film is much more interesting because it keeps it relevant (nobody likes change) whereas the idea of working for a female boss is no longer the crazy modern idea that it may have once been. The film uses this story reasonably well and produced a few chuckles from me while managing to maintain a consistent amusing tone. The lack of really sharp jokes or big laughs is a bit of a problem though, and it would have been better if the commentary had been sharper and some of the comic sequences had had more laughs but the overall tone is quite nice.
The main reason it is quite funny is the subtle playing of Sellers who is gently amusing and sets the tone well for the material; perhaps not one of his most famous creations but he is enjoyable nonetheless. He is well supported by Morley, who plays the blundering boss with enthusiasm and adds to the comedy. Cummings is quite good and brings out well the manipulative nature of some women turning on femininity and tears when it suits them; she does this well without being cruel to her sex I thought. The support is mainly good and includes a brief appearance from Donald Pleasence but really the film belongs to Sellers in his quiet role along with Morley and Cummings.
Overall this is not a great film mainly because it lacks a sharp intelligent edge that it could have had and not replacing that with enough broad laughs to do the job. The cast really help and the material is good enough to be roundly amusing and it is worth a look because it is a pleasing little film even if it isn't anything that special or memorable.
- bob the moo
- 26 mars 2005
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Battle of the Sexes
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 133 060 £GB (estimé)
- Durée1 heure 24 minutes
- Couleur
- Rapport de forme
- 1.66 : 1