Un prêtre et une prostituée se rencontrent pendant la guerre civile espagnole, et leur relation contribue à réveiller les fantômes du passé en chacun d'eux.Un prêtre et une prostituée se rencontrent pendant la guerre civile espagnole, et leur relation contribue à réveiller les fantômes du passé en chacun d'eux.Un prêtre et une prostituée se rencontrent pendant la guerre civile espagnole, et leur relation contribue à réveiller les fantômes du passé en chacun d'eux.
Robert Bright
- Father Idelfonso
- (non crédité)
Franco Castellani
- José
- (non crédité)
Nino Castelnuovo
- Capt. Trinidad
- (non crédité)
Robert Cunningham
- Mac
- (non crédité)
Gustavo De Nardo
- Maj. Garcia
- (non crédité)
Franco Fantasia
- Cabaret Customer
- (non crédité)
Armando Fracassi
- Nationalist Prisoner
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThe film was originally planned to be shot on-location in Spain. However, due to the unflattering portrayal of Nationalists in the Spanish Civil War, the Franco regime declined permission.
- GaffesWhen the prisoners are being marched for several days to be presented to the fascists, the group contains a substantial number of women. At least two women are shown confessing to Arturo. But when the fascists capture the group, Arturo tells the commander that the group consists of 200 men who should not be killed, no mention of women. When Arturo enters the church to tell the prisoners they are to be executed, the group is all men. The women have vanished.
- ConnexionsFeatured in Best in Action: 1960 (2018)
Commentaire à la une
This film has an abiding place in my film canon, for one very good reason.
It isn't a great film, as both the other IMDb reviewers have gone out of their way to stress (although some of their criticisms were a little unfair. I thought, for example, that Joseph Cotten fared better than they say). However, it is virtually the only entertainment vehicle I have ever seen - including film, TV, radio, newspaper, magazine - that dares to show the truth about the left-wing Republicans/anti-Nationalists in the Spanish Civil War.
The Spanish Republicans have been lionised for decades for their allegedly heroic struggle against fascism (although it is actually a moot point to what extent Franco's Nationalists were fascist). However, this film is brave enough to show the truth - that the Spanish Republicans singled out religious targets and many harmless middle class targets and killed or persecuted them. It also dares to show the truth that the Republicans ran the areas they controlled along Stalinist lines. Which is not surprising, given the links with Communists and Stalinist Russia that some of them had.
The file deserves enormous credit for showing this, and it is a shame that no-one has pointed this out on IMDb - until now.
It isn't a great film, as both the other IMDb reviewers have gone out of their way to stress (although some of their criticisms were a little unfair. I thought, for example, that Joseph Cotten fared better than they say). However, it is virtually the only entertainment vehicle I have ever seen - including film, TV, radio, newspaper, magazine - that dares to show the truth about the left-wing Republicans/anti-Nationalists in the Spanish Civil War.
The Spanish Republicans have been lionised for decades for their allegedly heroic struggle against fascism (although it is actually a moot point to what extent Franco's Nationalists were fascist). However, this film is brave enough to show the truth - that the Spanish Republicans singled out religious targets and many harmless middle class targets and killed or persecuted them. It also dares to show the truth that the Republicans ran the areas they controlled along Stalinist lines. Which is not surprising, given the links with Communists and Stalinist Russia that some of them had.
The file deserves enormous credit for showing this, and it is a shame that no-one has pointed this out on IMDb - until now.
- alanrhobson
- 25 oct. 2007
- Permalien
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Détails
Box-office
- Budget
- 1 843 000 $US (estimé)
- Durée1 heure 35 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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By what name was L'ange pourpre (1960) officially released in India in English?
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