Can-Can
- 1960
- Tous publics
- 2h 11min
NOTE IMDb
6,3/10
2,6 k
MA NOTE
Ajouter une intrigue dans votre langueIn 1896 Paris, a female nightclub proprietor fights against the forces of public morality for the right to feature her performers doing the risqué dance, the Can-Can.In 1896 Paris, a female nightclub proprietor fights against the forces of public morality for the right to feature her performers doing the risqué dance, the Can-Can.In 1896 Paris, a female nightclub proprietor fights against the forces of public morality for the right to feature her performers doing the risqué dance, the Can-Can.
- Nommé pour 2 Oscars
- 5 victoires et 7 nominations au total
Frank Baker
- Party Guest
- (non crédité)
Benjie Bancroft
- Club Patron
- (non crédité)
Herman Belmonte
- Waiter
- (non crédité)
Shirley Blackwell
- Townsfolk
- (non crédité)
Eugene Borden
- Police Officer Chevrolet
- (non crédité)
Buddy Bryan
- Dancer
- (non crédité)
Carole Bryan
- Gigi
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesIt is explained in the film that the can-can was considered a lewd and lascivious dance (in reality often performed without panties).
- GaffesAbout 34 minutes in, when Philipe tries to close the window in Simone's boudoir, the whole wall shakes as he struggles with the window, indicating that it is a set wall and not a real building.
- Citations
François Durnais: You look like a broken umbrella.
- Crédits fousOpening credits prologue: Montmartre-1896
- ConnexionsFeatured in 20th Century-Fox: The First 50 Years (1997)
- Bandes originalesI Love Paris
(uncredited)
Music by Cole Porter
Lyrics by Cole Porter
Sung by chorus over the beginning and end credits
Commentaire à la une
Another Cole Porter Broadway show makes it Hollywood, but not intact. Can Can retained most of its score, but 20th Century Fox added some other Porter standards like Let's Do It. Just One of Those Things, You Do Something To Me. And of course the book was sanitized by the Hollywood censors.
Briefly the plot is a girl who's a Can Can dancer played by Shirley MacLaine has to choose between two men of the legal profession. Upright judge, Louis Jourdan and less than scrupulous attorney, Frank Sinatra. Maurice Chevalier is an older judge who knows all of them and presides over the film like an avuncular grandfather.
The performers all do justice to the Cole Porter score and the best musical moment is Frank Sinatra's singing of It's All Right With Me. He's singing it to Juliet Prowse who was his main squeeze at the time. It's one of Sinatra's best musical moments on film, a perfect mating of singer and song.
I'm sure glad neither Sinatra or MacLaine attempted any kind of phony French accent. Sinatra tried a Spanish one in The Pride and the Passion and the results were hilarious.
Shirley MacLaine before she came to Hollywood was in the chorus of Can-Can on Broadway so she was a perfect fit for her part as Simone Pistache the cabaret owner where the illegal Can-Can is performed.
For reasons I don't understand a duet with Frank Sinatra and Maurice Chevalier singing I Love Paris was cut, though it remained in the original cast album. Blockheads at Fox, what were they thinking?
It also would have been nice to have some Paris location shooting for this film, it was all done at 20th Century's backlot where Nikita Khruschev paid a historic visit and said this was an example of western immorality and decadence. You couldn't buy that kind of publicity.
Verdict on this film, well as Old Blue Eyes sang:
RING-A-DING DING DING, C'est Magnifique.
Briefly the plot is a girl who's a Can Can dancer played by Shirley MacLaine has to choose between two men of the legal profession. Upright judge, Louis Jourdan and less than scrupulous attorney, Frank Sinatra. Maurice Chevalier is an older judge who knows all of them and presides over the film like an avuncular grandfather.
The performers all do justice to the Cole Porter score and the best musical moment is Frank Sinatra's singing of It's All Right With Me. He's singing it to Juliet Prowse who was his main squeeze at the time. It's one of Sinatra's best musical moments on film, a perfect mating of singer and song.
I'm sure glad neither Sinatra or MacLaine attempted any kind of phony French accent. Sinatra tried a Spanish one in The Pride and the Passion and the results were hilarious.
Shirley MacLaine before she came to Hollywood was in the chorus of Can-Can on Broadway so she was a perfect fit for her part as Simone Pistache the cabaret owner where the illegal Can-Can is performed.
For reasons I don't understand a duet with Frank Sinatra and Maurice Chevalier singing I Love Paris was cut, though it remained in the original cast album. Blockheads at Fox, what were they thinking?
It also would have been nice to have some Paris location shooting for this film, it was all done at 20th Century's backlot where Nikita Khruschev paid a historic visit and said this was an example of western immorality and decadence. You couldn't buy that kind of publicity.
Verdict on this film, well as Old Blue Eyes sang:
RING-A-DING DING DING, C'est Magnifique.
- bkoganbing
- 12 janv. 2005
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Jack Cummings' Production of Cole Porter's Can-Can
- Lieux de tournage
- Paris, France(stock footage of the evening barge sequences)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 000 000 $US (estimé)
- Durée2 heures 11 minutes
- Rapport de forme
- 2.20 : 1
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