Let It Be
- 1970
- Tous publics
- 1h 21min
NOTE IMDb
7,6/10
8 k
MA NOTE
L'histoire de la tentative des Beatles de retrouver leur ancien esprit de groupe en faisant un album de retour aux sources, qui les a plutôt éloignés l'un de l'autre.L'histoire de la tentative des Beatles de retrouver leur ancien esprit de groupe en faisant un album de retour aux sources, qui les a plutôt éloignés l'un de l'autre.L'histoire de la tentative des Beatles de retrouver leur ancien esprit de groupe en faisant un album de retour aux sources, qui les a plutôt éloignés l'un de l'autre.
- Récompensé par 1 Oscar
- 2 victoires au total
John Lennon
- Self (The Beatles)
- (non crédité)
Paul McCartney
- Self (The Beatles)
- (non crédité)
George Harrison
- Self (The Beatles)
- (non crédité)
Ringo Starr
- Self (The Beatles)
- (non crédité)
Sue Ahearne
- Self - 'Apple Scruff'
- (non crédité)
The Beatles
- Themselves
- (non crédité)
Peter Brown
- Self
- (non crédité)
Geoff Emerick
- Self
- (non crédité)
Kevin Harrington
- Self
- (non crédité)
Eileen Kensley
- Self - 'Apple Scruff'
- (non crédité)
Michael Lindsay-Hogg
- Self
- (non crédité)
George Martin
- Self
- (non crédité)
Heather McCartney
- Self
- (non crédité)
Linda McCartney
- Self
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesFollowing the argument with Sir Paul McCartney seen in the movie, George Harrison went home and wrote the song "Wah-Wah", which he recorded for his first solo album two years later. Three days after the argument with McCartney, Harrison temporarily quit the Beatles after a row with John Lennon. Harrison was coaxed back a week later, after McCartney promised that they would start recording in the band's new Apple Studios, instead of Twickenham Studios.
- GaffesDue to the two-camera technique used to film most of the scenes, during much of the performances the audio does not match up with the performers. One such example is during the Suzy Parker segment, and again during I Got a Feeling, though this scene was filmed using five cameras.
- Citations
John Lennon: I'd like to say thank you on behalf of the group and ourselves, and I hope we passed the audition.
- Versions alternativesThe first cut, which was supervised by Michael Lindsay-Hogg and The Beatles themselves, ran for 210 minutes. It was screened in a private screening room on 20th July, 1969. After the screening, three of The Beatles wanted further cuts to be made. According to Mark Lewisohn's "The Complete Beatles Chronicle", a second version was edited in the absence of John Lennon and Yoko Ono. This new cut (with a considerable amount of "John and Yoko" footage cut out) became the 81-minute release that made the cinemas. In an interview on the "I Am The Eggpod" podcast, Lindsay-Hogg confirmed that the footage deleted from the theatrical release contained a large amount of material featuring Lennon and Ono sitting alone away from the group and "whispering to each other". Lindsay-Hogg claims that about "one reel of film" was removed.
- ConnexionsEdited from The Beatles: Don't Let Me Down (1969)
- Bandes originalesPaul's Piano Intro
Performed by The Beatles
Written by Paul McCartney
Published by Apple Records
Courtesy of Apple Records
Commentaire à la une
I believe this candid look inside the troubled world of the later Beatles is a good account of why the world's greatest musical force ultimately broke up. I wouldn't easily recommend it to a "casual" Beatles listener, and certainly not at all would I suggest it for clueless "non-fans". But for the serious fan such as myself, this is fascinating to watch. Paul McCartney was the only Beatle at this point who was interested in trying to keep the band together; George Harrison was too busy getting fed up with Paul for telling him how to play his own guitar; Ringo Starr was lethargic and resigned to being the solemn background drummer; and John Lennon was so in love with Yoko Ono that he couldn't care less what the other three were doing anyway. So, it's this grim reality creeping into the once magical world of the Beatles' recording sessions that is tense and uncomfortable to watch here. But there is no denying that it's all frank, in-your-face, and well captured.
But it's not all ugliness. When Billy Preston is invited in for an inspired jam session, for example, everything seems like fun and games again. And the impromptu rooftop concert at the end of the movie displays The Fab Four at their best, playing great music together and having a lot of fun one last time as a unit, almost in spite of themselves. Of course, even with all its warts, there's always the music. Classic songs like "Two of Us," "I've Got a Feeling," "Don't Let Me Down," The Long and Winding Road," "Get Back," and the appropriate title tune itself are always there to make us feel good again. *** out of ****
But it's not all ugliness. When Billy Preston is invited in for an inspired jam session, for example, everything seems like fun and games again. And the impromptu rooftop concert at the end of the movie displays The Fab Four at their best, playing great music together and having a lot of fun one last time as a unit, almost in spite of themselves. Of course, even with all its warts, there's always the music. Classic songs like "Two of Us," "I've Got a Feeling," "Don't Let Me Down," The Long and Winding Road," "Get Back," and the appropriate title tune itself are always there to make us feel good again. *** out of ****
- JoeKarlosi
- 11 juin 2004
- Permalien
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- How long is Let It Be?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Beatles at Work
- Lieux de tournage
- Apple Corps, 3 Savile Row, Mayfair, Londres, Angleterre, Royaume-Uni(13-24 January 1969)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 1 061 569 $US
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