Bananas
- 1971
- Tous publics
- 1h 22min
NOTE IMDb
6,9/10
39 k
MA NOTE
Largué par sa petite amie militante, un New-Yorkais maladroit se rend dans une minuscule nation latino-américaine et s'implique dans sa dernière rébellion.Largué par sa petite amie militante, un New-Yorkais maladroit se rend dans une minuscule nation latino-américaine et s'implique dans sa dernière rébellion.Largué par sa petite amie militante, un New-Yorkais maladroit se rend dans une minuscule nation latino-américaine et s'implique dans sa dernière rébellion.
- Récompenses
- 2 nominations au total
Nati Abascal
- Yolanda
- (as Natividad Abascal)
Miguel Ángel Suárez
- Luis
- (as Miguel Suarez)
René Enríquez
- Diaz
- (as Rene Enríquez)
Tigre Pérez
- Perez
- (as Tigre Perez)
Histoire
Le saviez-vous
- AnecdotesSylvester Stallone appears uncredited as a subway thug. This was one of his earliest film roles, not a cameo. According to website Every Woody Allen Movie, "Allen initially sent Stallone back to the casting agency after deciding he wasn't 'tough-looking' enough. Stallone pleaded with him and eventually convinced him to change his mind".
- GaffesWhen Mellish accidentally injects everyone with sodium pentothal during an abduction on a street in San Marcos, there is a blue station wagon parked in front of them with a New York State license plate.
- Citations
Nancy: You're immature, Fielding.
Fielding Mellish: [whining] How am I immature?
Nancy: Well, emotionally, sexually, and intellectually.
Fielding Mellish: Yeah, but what other ways?
- Crédits fousIn the opening credits, the credits flash in time to the music. Additionally, the cards are shot with machine gun fire.
- ConnexionsFeatured in The Dick Cavett Show: Woody Allen (1971)
- Bandes originalesQuiero La Noche
Words and music by Marvin Hamlisch
Sung by The Yomo Toro Trio
[Played during the opening titles and credits]
Commentaire à la une
I went to see "Bananas," in the early 1970s with three of my high school buddies, in our local theater. And, it remains -- three decades later -- one of the most memorable and one of my most talked about movie-going experiences ever. So much of it was comprised of absolutely hysterical scenes which I've told countless people about through the years, and still tell people about.
Watching this movie today, it seems as if it had been somewhat haphazardly written. I get the feeling that Woody Allen had kept a journal in which he noted the funniest sights he'd witnessed and the cleverest one-liners he'd heard, over a period of years, and then set about mixing all of these totally unrelated funny things into one script. It's like he was saying to himself, "I think I'll throw in the bit about the guy trying to discreetly buy a sex magazine in a quiet neighborhood store and getting embarrassed, and then the snake bite bit later on. But first before the next plot turn, I think I'll put in the bit in which a guy gets out of his car and falls into an open manhole.", etc. You feel at times like you're watching a Benny Hill-type comedy show, or a TV variety show with a series of comedy skits that have nothing at all to do with each other. Somehow, Woody blended it all together into a fairly coherent story. There are also a few scenes which feature "Airplane"/"Naked Gun"-style tongue-in-cheek humor. But, this movie had been made *long* before those were even thought of. There's a message in that: This movie was ahead of its time. There's a segment of "Bananas," early on, which is just one outrageously funny bit after another after another.
I guess the movie doesn't really have a point . . . except maybe that maniacal dictators are crazy, dangerous and should be driven from power . .. or maybe that freedom is worth fighting for . . . or maybe that some causes are worth laying down your life for. Obviously, there's relevance in all of that for us, today. Or maybe the whole point of this movie could simply be that Woody Allen knows how to make people laugh.
Later, Art
Watching this movie today, it seems as if it had been somewhat haphazardly written. I get the feeling that Woody Allen had kept a journal in which he noted the funniest sights he'd witnessed and the cleverest one-liners he'd heard, over a period of years, and then set about mixing all of these totally unrelated funny things into one script. It's like he was saying to himself, "I think I'll throw in the bit about the guy trying to discreetly buy a sex magazine in a quiet neighborhood store and getting embarrassed, and then the snake bite bit later on. But first before the next plot turn, I think I'll put in the bit in which a guy gets out of his car and falls into an open manhole.", etc. You feel at times like you're watching a Benny Hill-type comedy show, or a TV variety show with a series of comedy skits that have nothing at all to do with each other. Somehow, Woody blended it all together into a fairly coherent story. There are also a few scenes which feature "Airplane"/"Naked Gun"-style tongue-in-cheek humor. But, this movie had been made *long* before those were even thought of. There's a message in that: This movie was ahead of its time. There's a segment of "Bananas," early on, which is just one outrageously funny bit after another after another.
I guess the movie doesn't really have a point . . . except maybe that maniacal dictators are crazy, dangerous and should be driven from power . .. or maybe that freedom is worth fighting for . . . or maybe that some causes are worth laying down your life for. Obviously, there's relevance in all of that for us, today. Or maybe the whole point of this movie could simply be that Woody Allen knows how to make people laugh.
Later, Art
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Bananas?Alimenté par Alexa
Détails
Box-office
- Budget
- 2 000 000 $US (estimé)
- Montant brut mondial
- 136 200 $US
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant